#WWII mentioned in passing

[curiousorigins]

Honestly though to, supporting people making good changes is how we make the world better. Not through exclusion. My grandma was racist and was raised by a racist and all that.

She realized at some point that things were very unfair.

It started with a jury trail that she got assigned to be a juror, a man and woman were killed because they walked together at their local park. They did it pretty much every morning and seemed to be close friends. (I have no idea of the actual time period because it could have happened in the last 70 years and I can’t ask her anymore.) They weren’t dating (fair chance this was when interracial marriage was illegal in the U.S.) or anything ‘objectionable’. Just walking and talking at a park most mornings.

Someone killed both of them because it was a white woman and a black man.

Completely innocent upstanding people killed because they were friends with each other in a sometimes public space.

That was the beginning of her changing her viewpoints. And yes, it took her a while. She was born in 1930, born to parents born much earlier. Who’s parents most likely had slaves. (Deep South.)

She was open with her former unkind and indecent views because she believed she was wrong and that people can make mistakes but pretending they were never there didn’t help anything. She had around 60ish grandchildren who ended up asking her details about just how racist people were in our area (rarely brought up during any discussion of the Civil Rights Movement in American and with reason.) and what it was like walking around with all those racists. She explained that it was considered common knowledge and that she learned different.

She was never proud of it, she was ashamed. She told us stuff that her Dad taught her. (Oddly her mother never came up in those discussions so I assume she wasn’t an overt racist like her father was.) And one by one the many ways she learned better. The wonderful kind people that she had met that enriched her life who she would have not let them in had they come in at a different time in her life.

And you know what? My grandma was one of the most important loved and loving people in my life. She taught me that kindness is key. That assumptions aren’t good to act on. That most of the time just talking to people will get you a new friend and expand your perspective. The fact that someone who I had looked so up to had fell for the racists stereotypes, opened my eyes. I realized that even kind people can fall for that. Smart well read people (she was former school librarian and had a college degree) can’t always think themselves out of these terrible biases on their own. But most of all, she taught me that people are fallible. That you can be wrong, so very wrong and what matters is being open to changing your mind when you receive information that goes against what you have always seen as fact and common sense.

That you can always get better. Learn to be kinder. Open yourself up to more love and culture. And just do your best to be a decent human being. And that starts by extending a hand.

It’s easy to paint people bad with a broad brush, but that doesn’t make us examine our own biases. That doesn’t make us kinder. And indeed we may think we can root out all hate with exclusion but that is not true. The best way to do it is love. My grandma was friends with a Japanese girl who’s entire family was sent to the Japanese Internment camps circa World War II. The community tried to keep them safe from that fate once they knew. They failed but that was one of the ways that my Grandma started questioning her father’s not great views.

I actually love hearing about reformed people's stories. I love hearing about people who were in toxic communities or people who used to objectively be dickheads talking about how they got out of that. How they made themselves better.

I hate how most people's initial reaction to stories like that are things like:

"How could you have ever done those things?!" "Oh my god, you believed those things?!" "Well it doesn't un-do the harm you did!"

People incessantly advocate for change but then refuse to allow people who have changed the grace of being acknowledged and given opportunities and chances.

I love hearing about ex-antis talking about how they don't spend their days being angry and sending death threats anymore.

I love hearing about ex-homophobes who realized there's no magic law about what is "natural."

I love reformed bullies talking about how they made amends with their victims and spend their days being considerate of others.

You can't scream about wanting people to change but then expect them to spend the rest of their lives stuck in the past and on who they used to be. You can't expect people to spend the entire rest of their lives grovelling and apologizing and demeaning themselves.

Instead of clinging to who they were, latch onto who they are.

Ask how they got out of it. Commend them on changing. Enjoy that there's one less cause of harm in the world.

[fatesundress]

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tombs and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile? 

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up. 

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 

You suppose, for them, it’s a question with few answers. 

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary. 

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any. 

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless. 

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that. 

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end. 

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is. 

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —” 

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant. 

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “have you seen the shit the aurors are up to lately? I’d rather be a blimmin’ Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? Why don’t you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together. 

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be. 

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.” 

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes. 

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He’s still inside you when he’s secure enough to bring you to his bed, only removing himself from you when you’re safely in his sheets, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

[jointherebellion215]

Birdie

John "Bucky" Egan x female!reader

Summary: A rare night out in London has Bucky coming to terms with his feelings for you.

Word Count: 2.9k

Tags: mechanic!reader, songbird!reader, female!reader, she/her pronouns used, drinking culture, cursing, mutual pining, moderate bouts of denial, insecurities, women supporting women because it's what we deserve, let's pretend that The Old Therebefore is an ancient Appalachian folk song in this universe, maybe she's a Mary Sue idgaf, I just wanted to write something happy so LET ME LIVE, WWII era, there's no Y/N but reader has the nickname "Birdie"

A/N: Yeah, I'm obsessed with Masters of the Air. I had to write something for my mans before the creative procrastination literally killed me. Please leave a like, comment, or even a reblog if you're so inclined :)

You can read my OC version of this story on AO3!

Songs Mentioned in This Fic:

Boogie Woogie Bugle Boy by The Andrews Sisters

G.I. Jive by Johnny Mercer

The Ole Therebefore (Accapella) by Rachel Zegler

Disclaimer: I own nothing. This story and any recognizably named characters are based solely on dramatic portrayals of the characters from the series, not the real individuals they represent. All the respect to the actual service people who fought and died in the Second World War. Also, don't copy my writing without explicit permission. That includes you, you AI sonuvabitch.

Your heels clicked on the cobblestone streets, turning into the pub you’d heard so much about. You were out celebrating a very rare weekend off. The Brass had somehow allowed you and twenty other mechanics from base two days leave, so you took advantage of the opportunity and headed straight to London.

Your two best girlfriends from base were with you. Teresa was one of the toughest nurses you’d ever come across. She could give you a wide grin, crinkles around her hazel eyes, and reset a broken bone without breaking a sweat. It helps that she was already working towards becoming a nurse back in New Mexico, the war just sped along that process. You had bonded over your love of books, giving each other recommendations almost weekly.

You’d met Irene on the boat to England. She puked on your shoes almost thirty minutes exactly after leaving the port in New York. You gave a small grin, offering her a handkerchief and a piece of ginger candy and the rest was history. Finding out that she was a fellow mechanic was the icing on the cake. Coming in at a whopping five foot two, the spritely blonde could easily be found in a crowd with her loud Appalachian accent.

It seemed almost like fate for the three of you to have found each other. Being some of the few women on base naturally made you close, but you were closer with Irene and Teresa than any of the others. That’s not to say that you weren’t friends with any of the men, because you were. Friendly. 

All three of you were dressed to the nines, in contradiction to your everyday work wear. You all got ready together in your hotel room, giggling while you applied makeup here, spritzed some perfume there. You all felt confident and were ready to have a good time. You spotted some familiar faces and made your way over towards them, your friends linked arm-in-arm with you. Lemmons was the first to greet you.

Of the fifty men on the ground crew, Sgt. Ken Lemmons was the most welcoming of them all. From the get-go, he didn’t care if you were a man or woman. He just wanted to know that you were capable. You were sure he had to go through some hazing because of his age, which probably changed his perspective on gatekeeping the job. This made earning and maintaining respect a lot easier for the women on your crew. We all came over with the same goal, it was better for all if we just helped each other out.

“Hey Birdie! Nice to see you out and about.”

Ah, the famed nickname. You tend to hum and sing under your breath when elbow-deep in a project. It helps you pass the time and clear your mind. Of course, the rest of the ground crew quickly caught on to this habit of yours, which quickly earned you the nickname “Birdie”. You, of course, never sing solo in public, so this confuses anyone who’s not around you while you’re working. But the name stuck, so here you are. Birdie.

Chairs are quickly cleared for you and your friends, which you all graciously take. You go up to buy some drinks, knowing what your friends like, and quickly return with your drinks of choice. Conversation flows, laughs are shared, and a few drinking games are played over the next hours. Teresa soon speaks up on a topic you’d been hoping to avoid.

“Do you think he’ll be here tonight?”

You shrug and look into your drink, “Dunno. Why does it matter?”

Irene, the ever supportive best friend that she is, backs up Teresa. “What do you mean ‘why’? This is your chance to finally make a move!”

“I don’t know what you’re talking about.” You quickly deny, taking another sip.

An unladylike snort leaves Irene, “My ass! You and Major Egan have been making googly eyes at each other when you think the other’s not looking for months. I’m saying it’s time for you to perk your tits up, buck on over and ride that—!” You slam your drink on the table, pressing your hand over Irene’s mouth, heat rising to your cheeks in embarrassment.

“Are you insane?” You whisper harshly, looking around to make sure no one overheard you. You seem to be in the clear, which makes you calm down a bit. Irene pushes off your hand, takes a swig of her drink, and consults the person who started this whole conversation.

“Am I wrong?” You look to Teresa, who cringes slightly in agreement.

You gape at the pair of them. Normally, you were the median between the two girls who had vastly differing opinions. But this is what made them come to a consensus? Unbelievable.

“Look, I’m not saying that I don’t want to.” You start, which makes your friends nod encouragingly at you. “It’s just that… Is he really as interested as you think he is?”

They both groan and slump against each other, like they’d just run a marathon. Teresa sits up, scooching your chair in closer so that the three of you were in a private triangle, cut off from the rest of the group.

“Let’s look at the facts here, okay?” Teresa starts to tick off a finger with each point she and Irene make. But you seem to always have a rebuttal at the ready.

“He brings you coffee every morning.”

“I thought he does that for everyone.”

“He constantly fixes his hair when you’re around.”

“He takes care of his appearance!”

“He walks you to the mess hall every day for dinner.”

“We just happen to be going the same way. And we happen to have the same dinner schedule.”

“He read The Hobbit when you said how much you loved it.”

“He’s an adventurous guy, it’s an adventurous book, what’s not to like about it?”

“You two literally will walk and talk outside alone for hours.”

“A man can’t have a stimulating conversation with a woman?”

“He laughs at all your dumb jokes.”

“Hey! They’re not all dumb. Like, the one with the goose and the—”

“Point proven. Anyways! He has your picture in the inside pocket of his jacket.”

That one stops you in your tracks. You brain tries to justify this meaning but comes up blank.

“He…” You struggle with an excuse. “He…” Your best friends give victorious smirks in your direction.

“He… likes the extra padding in his jacket?” You stutter over what is possibly the most pathetic, sorry excuse you could have ever come up with.

“When are you gonna admit to yourself that he likes you? Like, actually truly likes you?” 

You gave a sad sigh, letting the insecurity you were feeling deep down come to the surface. “I just… He’s just so…” You had stomped down your feelings for so long that it was becoming hard to articulate what exactly you’re feeling.

“He just seems so unreal. Like, of everyone he could have chosen, why me? I mean, I know I’m great. But you’ve seen the other girls on base. They’re all so beautiful, smart, classy… and none of them are covered in engine oil ninety percent of the time.” You looked down at your hands, specks of grease and oil peeking out from beneath your nail beds. It seems like it would never completely wash out, no matter how hard you scrubbed. You hadn’t even painted your nails for this weekend, knowing it would be money wasted come Monday morning when you’re back on the clock.

Teresa and Irene share a look that you don’t see, then come forward and grab each of your hands. 

“The words you just used to describe those girls. All of that is you, Birdie. That and more. You being a mechanic doesn’t make you any less of a woman, and to hell with anyone else who thinks otherwise.”  You nodded in agreement, Irene’s words of encouragement slowly washing away your anxieties.

Teresa spoke up next, “You deserve someone who will rearrange the stars and the whole night sky for you. And I’m more than willing to bet that Major Egan is up for the job.” 

“Besides, none of that 'unreal' stuff. At the end of the day, John Egan is nothing more than a man. If he can’t look past his nose and his d—" You gave a squeak to cover up the vulgar word Irene was about to blurt in public. She rolled her eyes fondly and continued.

“If he can’t see what you’re worth and make the effort to treat you a hundred times better than that? That’s on him. Not you. You know what you deserve, and you deserve everything you want. Absolutely everything.”

You sniffed, happy tears coming to your eyes. You brought your best friends in for a hug, thanking them profusely. 

“Don’t sweat it,” Teresa grins into your shoulder “every girl needs to be pulled out of her well sometime.”

You pull back from the hug, grabbing your glass and tipping your head back, finishing the rest of your drink. “Even if he’s not gonna be here, let’s have a ball!” Your girlfriends cheer as the three of you go to the bar for refills.

One drink turns into two, which turns into a few more, and suddenly you’re buzzed. Your group are having a rambunctious time, Irene dancing by the local piano player. Once Irene looks over to you, she stops and whispers in the player’s ear. He nods, then starts a new tune. Irene starts up her voice, walking over to you and Teresa, encouraging you to join her. 

The alcohol has loosened you up enough that you don’t feel the nausea you usually associate with being perceived, so you join in the harmonies you and your friends have practiced in your bunks at night.

He was a famous trumpet man from out Chicago way

He had a boogie style that no one else could play

He was the top man at his craft

But then his number came up and he was gone with the draft

Soon the whole pub was jumping and dancing along to the tune as you brought a new vibe to the pub. It was like a spark that started an entirely new night and everyone was eager to go on forever.

One song turns into an entire set, which ends with a full rendition of G.I. Jive, which had everyone singing along. It was a magical moment; made you feel like you were a part of something important.

Irene sidles up to you, giving you a hug. She says in your ear,

“I think it’s time to slow it down a bit. How about you sing that song I taught you.”

She means an old Appalachian folk song that’s been in her family for generations. You had heard her sing it one night and immediately loved the dark, but strong nature of the lyrics. It was an honor to learn it from her. 

“I don’t know, it’s your family’s song and…”

“And I can’t think of anyone better to sing it to these soldiers.” You gave each other a look, her slight eyebrow raise gave you the courage to nod in acceptance. She smiled, hugging you again, her voice yelled out to the crowd. 

“Birdie’s gonna sing solo!”

The announcement is met with raucous applause, Irene and Teresa shoving you towards a dodgy looking table. Crank offers a hand up, which you take gratefully. As you find your bearings on the tabletop, you quickly spin around and find all eyes on you. 

The crackling energy in the air seemed to simmer, the fast-beating hearts of the pubgoers recognizing a moment to acknowledge you. Nausea starts to make an appearance, but a deep breath quells the sensation within you for the time being.

You take another deep breath. Inhale, exhale. Inhale. Exhale.

You close your eyes, open your mouth, and sing.

Meanwhile…. 

Majors Gale Cleven and John Egan walk down the familiar street, one eager to catch up with his fellow countrymen’s alcohol intake, the other just happy to spend time with his friends. They were arriving later to the festivities due to being caught up in filling out reports. By far the worst part of having a higher rank was the paperwork.

“It’s pretty quiet.” Buck acknowledges. “They’re usually rowdier by this point.”

Bucky sniffs, shrugging off the concern. “Ah, it’s probably nothing.” 

As the two men approach the pub, they find that a crowd has formed. Soldiers, civilians, RAF, USAAF, old, young— people had obviously stopped to watch whatever was going on. It was dead silent, save for a voice singing. Was there a radio show on or something?

A familiar face peeks out at them from the crowd, DeMarco quickly waving them over. 

Bucky is quick to question, “Hey, what’s going on?” but is immediately shushed by nearby crowd members. Buck cringes in apology, despite not being the one to disturb the peace. His best friend, ever unshaken by the opinion of strangers, carries on.

DeMarco leans in, whispering, “Your girl’s taking us all to church.”

“My girl..?” Bucky’s nose scrunches in confusion. He makes space through the crowd and quickly makes sense of DeMarco’s words. It was you.

I’ll catch you up

When I’ve emptied my cup

When I’ve worn out my friends

When I’ve burned out both ends

Standing on a tabletop, watchful eyes sat all around you like baby ducks flocking to their mama. You were captivating everyone with each note and word that flows from your mouth. Damn, you've got a set of pipes— a voice that belongs on the radio, in concert halls, on Hollywood records. He had no idea.

His little Birdie.

“Wow.” Buck mutters in awe from behind him, and Bucky couldn’t be more in agreement.

When I’m pure like a dove

When I’ve learned how to love

He hadn’t noticed before, but her eyes were closed. Like she needed to concentrate on each and every breath she took, every single movement her body made, before letting them out in an angelic melody.

As if by divine intervention, her eyes pop open and lock on his as she belts “how to love” 

It could’ve been an eternity, for all he knows, the amount of time that they spent locked in each other’s gaze. The world pauses around them, everything frozen. Her eyes were already the kind to knock a man clean off his feet with a single gaze, but he thinks- for a brief moment- that his heart completely stops beating.

John Clarence Egan would swear every day from then on, until his dying breath, that the course of his life was altered in that very moment. He knew how it would continue from then on, and how it would end. How he wanted it to end.

Then the world starts back up and carries on.

Right here in the old therebefore

When nothing is left anymore

Her final hums are joined by a short blonde woman who stands nearby, another face he recognizes from base. 

The applause that picks up after the end of the song is near deafening. The star of the hour gives a shy smile, a quick curtsy and is given a hand to step down from the table.

Everyone soon starts mingling, the normal chatter of the bar returning. But Bucky is stuck in his spot, dumbfounded. In all the conversations you’d had together, somehow this never came up. He should’ve put two and two together, as he recalls overhearing your hums one morning as he made his daily coffee delivery to you. But you had been caught off guard, so much so that you tripped off the ladder you stood on and fell. Luckily, his quick reflexes kicked in to catch you before any serious injuries occurred. 

Remembering the sensation of his hands on your waist and thighs, face just inches from yours, sent his brain into a tailspin. That’s not even considering just how damn cute you were when, after a beat, you turned away from him and playfully mourned the cups of coffee that were splattered all over the hardstand.

“John. John?” A hand waving in front of his face knocks him out of his reverie. He blinks once, twice. Then looks to his best friend.

His voice comes out uncharacteristically weak in response, to which he then clears his throat and corrects. “Yes—yeah?” He pops the collar of his sheepskin jacket to try and hide the rampant red of his ears that signals the heat radiating from them.

Buck just shakes his head and gives him a knowing smile. “You sure know how to pick ‘em, Egan. Never thought I’d see the day.”

“See what day?” Bucky starts to consciously return to his body, leaning on the bar.

“The day when a girl finally knocks you on your ass. I knew you had a thing for her, but that?” He points to his face and motions to indicate where they had just been standing. “That’s something else. That’s something real.”

Bucky gives another shrug in response, to which Buck throws back an unconvinced frown. He turns his head to gaze over the pub patrons and is distracted by you once again. Any denial he was about to spout immediately dies in his mouth when you lock eyes with him again and give him a dazzling smile. The world starts to fade away again.

His heart pumps faster in his chest at the sight. Damnit. He sighs, telling his best friend the truth he’s been privately wrestling with for a while now, all the while keeping his eyes locked on yours.

“I know, Buck. I know.”

Bucky smiles back at you and is elated when your face lights up. You give him a wave.

“She kinda snuck up on me.”

[redmyeyes]

Fellow Travelers Timeline

(as comprehensive as i can make it. corrections/additions welcome)

1919-20 (?) - Hawk is born

based on tennis trophy which shows year 1936, and hawk's statement that he and kenny were on the tennis team in 11th grade (16/17 years old).

also date on the paperweight (1937) that hawk says kenny picked out on their senior trip. spring or fall though? if spring (usual for a senior trip, just before graduation), it would mean hawk graduated HS in 1937, b. 1919. (thanks, @lestatscunt!)

June 6, 1930 - Tim is born, on Staten Island, NY

birthdate/place shown on army application in ep 5

Gemini, with moon in Libra

>>> With a Gemini Sun Libra Moon, emotional equilibrium is hard for you to maintain in a world of constant flux and tension. Since you are not responsible for the woes and upsets of those around you, you should not feel so duty-bound to assuage their wounds or mediate every conflict that happens to come your way.

>>> your natural diplomacy, extraordinary perception and insight can all be applied creatively in such fields as politics, social work, and the mass media.

>>> your extreme open-mindedness would probably enable you to almost any life-style. You have a universal quality about you that transcends culture, religion, ideology, or any other barrier that divides mankind.

Fall 1937 - Spring 1941 - Hawk attends "Penn", presumably the University of Pennsylvania. (assuming hawk b. 1919)

(this is very very long, the rest is under the cut)

December 7, 1941 - bombing of Pearl Harbor, US enters WWII

??? - Hawk joins the army (along with Kenny), and is sent to Europe. Kenny is sent to the Pacific.

June 1, 1944 - The fall of Velletri (where Hawk got injured), which Hawk talks to Tim about in ep 3. (thanks @doodlingawaits!)

from wiki: The 36th U.S. Infantry Division commanded by General Fred Walker spotted a flaw in the German defenses on Mount Artemisio between Velletri and Valmontone. Between 30 and 31 May 1944, the 142nd and 143rd regiments penetrated the German defenses at Monte Artemisio, and on June 1 Velletri fell.

January 9 – August 15, 1945 - Battle of Luzon, where Kenny dies.

September 2, 1945 - Japan surrenders, US exits WWII

February, 1949 - Hawk starts working at the State Department

Hawk says in 1x04 (Dec 1953) that he's been working at the State Dept for "four years and ten months".

"I came out of the war with four assets: degree from Penn, a hero's war record, no particular political ideology, and a passing acquaintance with three languages. Throw in a talent for prevaricating and a taste for travel and fine clothes, you have the makings of a competent, mid-level Foreign Service bureaucrat."

Fall 1948 - Spring 1952 - Tim attends Fordham University, graduating with a degree in political science and history.

1951 - Hawk starts work for the Bureau of Congressional Relations

Tim mentions Hawk's been working there for two years during their meeting on the bench.

1952 - Tim works "the New York campaign" (presumably for Eisenhower).

1952/3? - Tim interns for three months at the Star, in the mailroom.

November 4, 1952 - Election Night, Eisenhower (R) wins the presidency. Tim/Hawk first meet and are instantly smitten. (ep 1)

February 16, 1953 to March 10, 1954 - McCarthy Hearings, part 1.

The first consisted of a series of hearings conducted by McCarthy, as the subcommittee’s chairman, throughout 1953 and early 1954 in which McCarthy alleged Communist influence within the press and the federal government, including the State Department, the U.S. Army, and the Government Printing Office.

March 5, 1953 - Stalin dies.

Late March, 1953 - Hawk/Tim second meeting

After Hawk meets Tim at the park bench, he attends a hearing where Marcus says Cohn has brought David Schine on, and then later at their lunch Senator Smith says, "McCarthy is sending Cohn and his sidekick to Europe..." This article, dated April 19, says that Cohn and Schine have been in Europe for two weeks.

Hawk mentions that it's near the end of the month, police need to make their quotas.

April 27, 1953 - Executive Order 10450 signed. Hawk goes to Tim's apartment and tells him about Kenny. (ep 1)

June 6, 1953 - Tim's 23rd birthday (Hawk 'misses' it because they weren't talking for 4 weeks. belated celebration in ep 3.)

June 15, 1953 (?) - date of the newspaper Tim is reading just before he goes to visit Hawk in ep 2, where Hawk makes him write the letter to Mary. I'm choosing to believe this is a mistake on the show's part, because this would mean that Hawk has already missed Tim's birthday.

June 19, 1953 - Julius and Ethel Rosenberg's execution. Hawk comforts Lucy about this at the end of ep 2. So, likely Hawk and Tim had their big fight very shortly before Tim's birthday, and weren't talking from end of May - end of June.

End of June, 1953 - at the end of ep 2, Tim says it's been 4 months since his last confession, making his last (proper) confession the end of Feb or beginning of March. (ie, before he meets Hawk again on the park bench).

End of June or beginning of July, 1953 - weekend trip to Rehoboth Beach (ep 3)

November 1953 - G. David Schine drafted into the army (ep 3)

Christmas 1953 (ep 4)

March 16 to June 17, 1954 - Army-McCarthy Hearings (part 2) (ep 5)

The second phase involved the subcommittee's investigation of McCarthy’s attacks on the U.S. Army. Known as the “Army-McCarthy hearings,” they were broadcast on national television and they contributed to McCarthy’s declining national popularity. Five months later, on December 2, 1954, the Senate censured McCarthy.

June 6, 1954 - Tim's 24th birthday

June, 1954? - Tim/Hawk break up, Hawk proposes to Lucy (ep 5)

I believe this happens at the tail-end of the Army-McCarthy hearings, so before June 17th. Unclear when the proposal actually happened though.

Fall, 1954 - Sen. Smith's funeral

based solely on fall foliage in this screenshot:

Late Nov / Early Dec, 1954 - Tim enlists in the army

based on army application: birthdate 6/6/30, age: 24 years, 6 months

Late Nov / Early Dec, 1954 - Hawk/Tim last meeting in the tower

based on the radio program Tim is listening to, which says, "Chief Counsel Roy Cohn has resigned from the committee. And Senator McCarthy, his approval ratings plummeting, faces censure or even expulsion from the Senate." (McCarthy censured Dec 2).

Tim leaves for Fort Dix, for training, but is later stationed at Fort Polk, in Vernon Parish, LA. (thanks, @jesterlesbian!)

December 2, 1954 - the Senate censures McCarthy.

Summer or Fall 1956? - Tim's letter (that lucy burns) (ep 6)

Flashbacks, for context:

"Since he's giving up his apartment, Hawk insists on having a lair in the woods." // "I'm surprised that he finally agreed."

Lucy lets contractor go. // "Give me a baby."

Hawk is reading the Bristol Daily Courier, a paper located in Bristol, PA, a town in Bucks County, outside Philadelphia. I can't find any info on the one headline I can read though ("Heath Carlson breaks arws deadlock, locals proud"), so can't date this properly.

Lucy cleaning out Hawk's apartment, finds paperweight, sees Tim drop off letter. (did she start clearing out the apartment only after the cabin construction was complete? or before?)

"I went into the Army to get away from you. I thought time and distance would help. But it hasn't." If Tim sends the letter in summer 1956, it's been a year and a half since he enlisted.

Biggest question here: did lucy ask for a baby before or after she read Tim's letter??? the flashbacks don't answer this definitively.

October, 1956? - Lucy becomes pregnant with Jackson (see note under April 1957)

October 23 – November 4, 1956 - Hungarian Revolution of 1956

October 23, 1956 - April 30, 1957 - Hungarian Refugee Crisis

November 8, 1956 - Operation Safe Haven commences

President Eisenhower declared that 5,000 Hungarians would be awarded visa numbers remaining under the 1953 Refugee Relief Act

Spring 1957? - Tim sends telegram. It looks like 05-??-???? to me, which doesn't really make sense if McCarthy died on May 2nd, but it's hard to make out. or maybe telegrams used the date format dd-mm-yyyy.

April 1957? - Tim/Hawk first meeting, Lucy at least 5 (or 6? or 7?) months pregnant

You should feel your baby's first movements, called "quickening," between weeks 16 and 25 of your pregnancy. If this is your first pregnancy, you may not feel your baby move until closer to 25 weeks. 

25 weeks ~= 6 months, and it still seems novel to her, so let's say she's approx. 6 months pregnant here.

May 2, 1957 - Joe McCarthy dies.

May 6, 1957 - McCarthy's funeral. Tim's first visit to Hawk's apartment (ep 8)

June 6, 1957 - Tim turns 27.

June or July, 1957 - Jackson born (based on dates above)

1958? - Kimberly is born. (estimated bc she looks the same age or older than Jackson, so assuming she's a year younger at most.)

August, 1965 - President Johnson signs a law making it a federal crime to destroy or mutilate [draft] cards. 

October 15, 1965 -David Miller publicly burns his draft card, becoming the first person to be prosecuted under that law and a symbol of the growing movement against the war.

May 17, 1968 - the Catonsville Nine took 378 draft files from the draft board office in Catonsville, Maryland and burned them in the parking lot. (inspo for Tim & co. thanks @brokendrums!)

November 1968 - ep 6. Hawk is 48-9, Tim is 38, Jackson is 11.

based on this newspaper screenshot when Hawk is talking to Marcus on the phone about Tim, which shows election results (1968 election took place on Nov 5th).

November 1968 - May 1970 (earliest) - Tim in prison. (he says in ep 7 he was in prison for a year and a half. this assumes he went to prison right away, but it could have been several months later if he was awaiting trial/sentencing.)

1970? - After prison, Tim moves to San Francisco and gets his counseling degree.

Mid-late 1970s - Tim earns his C-SWCM qualifications, requiring:

A Bachelor’s degree in social work from a graduate program accredited by the Council on Social Work Education

Documentation of at least three (3) years and 4,500 hours of paid, supervised, post-BSW professional experience in an organization or agency that provides case management services

Current state BSW-level license or an ASWB BSW-level exam passing score.

nb. because Tim already had his bachelors (from Fordham, majoring in history), I could see him entering a much-accelerated BSW program, transfering a lot of credits from his previous degree. That would give him maybe 2 more years of university, plus the required 3 years of post-BSW work = 5 years minimum before he earns that business card.

February 4, 1977 - Fleetwood Mac's album Rumours is released, including the 1970s Tim/Hawk anthem, Go Your Own Way

October, 1978 - Jackson dies

November 27, 1978 - Harvey Milk assassinated

May 20-22, 1979 - Tim on Fire Island (ep 7). Hawk is 59 or 60, Tim is 48, about to turn 49.

May 22, 1979 - Harvey Milk's (posthumous) 49th birthday (celebrated in ep 7)

1986 - ep 8

how long was Hawk in San Francisco? Timelines for the events below may be fudged in the show, bc I doubt he was there for 5 months.

March, 1986 - Roy Cohn's 60 Minutes interview, which the gang watches in ep 4.

April 15, 1986 - US bombs Libya. in the first episode you can hear reference to this on the radio, before Hawk leaves for San Francisco. (thanks @aliceinhorrorland93!)

July 27, 1986 - In California, Gov. George Deukmejian vetoes a bill that would have defined AIDS as a physical handicap calling for entitlement to protection under the state's civil rights laws.

August 2, 1986 - Roy Cohn dies (ep 8)

Late 1986? - the fundraising gala that Tim crashes, shortly after Cohn's death.

September 1986 - The State Legislature has passed another bill [in addition to the one vetoed on July 27]. Mr. Deukmejian, a Republican running for re-election, has indicated that he will probably veto the bill. (nb, this is likely the bill that Tim & co want to pressure the governor to sign).

October 11, 1987 - AIDS memorial quilt first displayed (ep 8)

--

this was a collaborative effort! many thanks to @ishipallthings for many of these details, as well as @startagainbuttercup , @alorchik, @itsalinh and others in the FT discord!

[am-i-the-asshole-official]

WIBTA if I start giving some very *very* Christian family members religious pamphlets from non-Christian religions as gifts?

To be clear, I am writing this while firmly believing I'm NTA but I am angry and don't trust my own judgment too much right now.

Background and Players: My Son (19) was adopted out as a baby by his incubator behind (my husband, 40) his father's back. He was abandoned at 4 by his adopted family because of behavioral issues related to what his incubator was putting into her body while she was pregnant with him, and went into foster care with people I will call Amom and Adad. Adad is a pastor in his 90s and Amom is a pastor's wife in her 80s. When Son was 13 and I had been with Husband for 5ish years, we had been told (by someone from his incubator's family but we didn't know that at the time) he was non-verbal and "mentally an infant" and that trying to pull him out of the routine he had would just be incredibly harmful to him, so we had given up hope of finding him and having a relationship with him. We got a phone call one day, a worker who was looking for a medical history for Son. Husband spent close to 3 hours on the phone with her, answering questions and asking anything he could squeeze in. Turns out, we had been lied to about his mental health just... completely. He's impossible to shut up and he graduated high school last year despite, you know, *gestures vaguely at everything* and I am incredibly proud of him. Half an hour after that call ended, she called back and told us Son might be interested in meeting us, was it okay for her to pass on our contact info. A month later, Son, Amom, Adad, Husband and I were sitting in a restaurant together and a month after that we went to their place for a week to spend Christmas with them. This is when they informed us that they had finalized his legal adoption a couple of weeks earlier. 2 years after that, my QPP moved in with us, and another year later 16 year old Son asked if he could move in with us. He still does.

The Issue: Son wants a continuing relationship with Amom and Adad, but due to the previously mentioned substances used by his incubator, he has memory and time management issues so I have to regularly remind him to contact them. I have no problem doing this, but the contact we have had with them over the last few years has soured me on their company. I've got no problem reminding Son to contact them and organizing rides for him to visit (usually QPP and I driving him, the trip is a couple of hours each way) but I'd rather never speak to them myself if it can be avoided. It didn't start out this way, but over the years they have made it very clear that they don't respect anyone else's beliefs. Not just us, like there was one night where they were going off about some Danish surgeon saying publicly that he was Muslim first, Danish second, and they were trying to convince us to be terrified by that. The conversation ended awkwardly when Husband asked if Adad was Nationality or Christian first (because that's different you see). We have found books on the bookshelves in the guest room about how any kind of queerness at all is demonic possession, one of which they wrote. They talk about things like being sent on a mission by their god to save as many (and I hate that these are quotes) "brown heathen children" by making them Christians as possible (Son and his adopted siblings are all First Nations, Amom and Adad are as white as I am), or how Jewish people are evil for stopping Christians from claiming their suffering because "Jesus was a Jew so aren't all Christians also Jews?". Amom once spent a week trying to convince me to go to church with her and share the details of my childhood sexual abuse with the entire congregation because "it will show God you are ready to be forgiven". QPP is a shintoist and after they found that out, we started seeing more literature about the Japanese, specifically during WWII, around their house when we visited.

We have politely made it clear that we are not interested in Christianity, especially not their version. Multiple times. We thought it was finally over after Son had a meltdown at them at his graduation ceremony because he wanted JUST ONE conversation with them that wasn't about Jesus. He was in tears trying to explain that to them, and their response was to tell him he needed to come back to church so they could lay on hands and chase all the demons making him say these horrible disrespectful things to them out of him. He was supposed to stay with them for a few days to visit after that, but by the time I tracked him down and got him calm, he didn't want to go anymore. They seemed to stop after that, like they actually backed off and I think I got maybe 2 emails that didn't mention God or Jesus, not even a "God bless" in the sign off. We were optimistic. Son was late organizing it but we dropped him off (at his request, he's worried that Adad won't make it to next Christmas and wanted to see him) at their place on Boxing Day. We did not hang around, we did not send gifts, we didn't even reply to the Family Christmas Email (it had a video of a Jordan B Peterson rant embedded in it and I've told them before that we are not interested in anything that sack of hateful arrogance has to say please stop putting him in my inbox). We have done everything we can to make it clear that we do not want a relationship with them for ourselves, including outright directly telling them politely to their faces that we will not stop Son from seeing them but we don't feel comfortable around them and don't want a relationship with them for ourselves. Son came back with "gifts" from them - a study guide for a specific Bible book (I got John, Husband got Michael, QPP set his on fire before we saw who it was) and a bag of candy that looked like it came out of a thrift store (I got the same one they always get me, which I laughed off the first and second and third time and explained I couldn't stand them because my abuser used to give me one when he was done. Husband is diabetic and got York Patties. QPP actually got something decent though, $20 for gas).

I have managed to keep my "I'd rather you hadn't bothered actually" rantingvto Tumblr, which i don't think they even know exists, but I'm still pissed about the Bible crap as "gifts". I am considering changing tactics completely and being super friendly, mirroring their energy, and giving them the same treatment they've given us. I want to make excuses to visit so I can explain the finer points of shintoism and Celtic paganism in every single conversation. I want to give them books for gifts, books like The Tao of Pooh and The Gospel of The Flying Spaghetti Monster. I want to wrap cash in pamphlets about The Invisible Pink Unicorn and leave it on their fridge.

QPP and husband think I should give myself more time to calm down and just keep ignoring it and playing nice when I'm forced to play at all but like, IT'S BEEN 6 YEARS.

What are these acronyms?

[ronearoundblindly]

Time and Tines (2/3)

Reasons (see previous or series)

Steve Rogers x Villain!Reader

Summary: With the Winter Soldier on your side, Steve races against time to figure out why...and how to stop you.

Warnings for basically DARKFIC: talk of unspecified terminal illness, medical malpractice, gaslighting, revenge, gun violence, not overly graphic death but still death (not of Reader, Steve, or Bucky), and decidedly too-little editing. MINORS DNI. There's plenty for you to read on my Light Masterlist, but this isn't for you! WC 5242 (which is, yeah, way longer than it was supposed to be)

Steve will do anything to avoid a fire fight with the Winter Soldier. There are too many people involved now, and he has to approach this situation delicately from all angles.

Steve just does not understand yet.

After hours waiting with agents in the dark of Doctor Avani’s house, convinced you’ve ordered Bucky to come right over and kill the man with brute force, nothing happened. There was no sign of anyone. Steve has to try something else.

A small army protects Salvatore while he searches your apartment. If the key to activating his friend is here, he needs to find it, destroy that information, and get a handle on why this is happening.

“This can’t be right,” Steve mutters, pushing past Agent Palmer (who drove) for a better look. “It’s too clean.”

Your one-bedroom would pass a white-glove test.

There’s so little…everything. It’s a far cry from the chaos Steve woke to find in the police station. His head throbs at the memory. He forgot what it was like to have his bell good’n’rung.

“Supe says she’s been selling off furniture,” Palmer calls from the doorway, “but he thought it was replaced. Boxes kept coming.”

Steve inventories a mattress with no frame, half a dozen hanging garments, no shoes. What were you buying? Where did it all go?

The desktop is bare. You’ve taken any laptop with you, it seems. That’s a small comfort. You clearly planned contingencies for your attack andor escape; it’s fitting you had the foresight to hide your research on the Winter Soldier.

Steve is still scared, however, because he sat with Bucky many times, listening to horrible tales of being trapped in his own mind, powerless, isolated in the midst of everyone, unable to control thoughts much less actions.

This one’s gonna take a few more beers for the friends to contend with, but with any luck and quick work, they’ll get through without bloodshed. He and Bucky will decompress somewhere peaceful. It’ll be okay.

He hopes.

Steve scans the lone bookshelf. The most curious edition is a history book about WWII, a few flagged pages open to reveal passages about Bucky’s service record, an underline beneath the location where the sergeant fell from the train, and a mail receipt for an address on Forsythe Avenue keeping your page. That’s all.

It’s not even a unique read. The book isn’t any more specific than an average school text. No other notes are made in the margins, so Steve turns the book upside-down and shakes, hoping for something to fall out. He rips the other books from the shelf and shuffles their pages until a picture comes loose—a polaroid of three women.

You’re on the right, fuller faced but it’s you. On the back is scrawled “the girls” with hearts on either side.

The book is handwritten, no label on the cover or spine, only an embossed mandala design. Steve’s stomach drops, but he opens to the front flap.

Property of Faith Williams

He swallows roughly and closes it, unable to step over that line of privacy. At the moment, he needs evidence of where you could have taken Bucky, and slow-reading someone else’s diary won’t give him that.

Forsythe Avenue might, but that’s just one tiny piece of the puzzle. 

Steve checks a different unlabeled book, but it, too, doesn’t have your name inside, just a ‘Z’ fancifully drawn amidst doodles.

Damnit. This is no help.

“Palmer, you finding anything?”

“No, Cap. Bills all paid. Nothing under the mattress. No mention of Barnes on any papers in the drawers. Not even a Cyrillic symbol.”

No trace, just like how you two disappeared from surveillance.

Steve shuts his eyes, head still throbbing from how hard the Soldier landed a blow to knock him out.

The agent wanders through the tiny kitchen. “Fridge is empty. Doesn’t look like she intended to come back here…if…actually, it looks like she barely ate. No condiments, no spices, nothing.”

“How long has she rented here?”

“Over two years.”

Shit. This is a dead end.

“Keep looking,” Steve orders, but he takes the two journals and heads for the car, pulling up your thin file again. You don’t hold any clearances or a government footprint. You were let go of from your last job with a severance package. Nothing overly generous. No medical leave mentioned. Benefits, including health insurance, would be intact. Based on your appearance earlier versus you in the photo, Steve chews on a few wisps of theories, but it’s not solid proof. Without more, Steve has no leads.

“Friday, any connection to properties on Forsythe?”

He adjusts to get comfortable in the back seat of the SUV alone, firing up a view screen.

There’s a low, sad sound that means the AI found nothing in your records.

"For her or him?"

Womp womp, it comes again.

Steve lets out a tense breath, “Where are we with bank statements?”

“Authorizations just came back,” F.R.I.D.A.Y chirps.

“What about medical records?”

“That one’s a lot harder, Captain Rogers. We have to—“

“Just analyze the financials first,” Steve sighs. His head throbs again, and he knows he needs sleep. There’s no time though. If he could just get answers…

Protections exist, of course, for good reason, but Steve feels the frustration of any detective. He’s trying to find a bad guy, and by 'bad guy,' he means you, not the man you’ve taken, not the man you are certainly going to order to kill for you.

Steve rests his head on the chilly glass and pinches his eyes shut. He’ll take a minute, review the money trail, and then interview the doctor. It seems a miracle that man was able to go home to his wife and sleep, even with security inside the room, down every hall, surrounding the house…Steve wouldn’t do it; he can’t even keep his eyes closed long enough for the dry sting to subside.

How could he be so stupid?

You weren’t staring at him from across the room; you were watching your mark, waiting for an opening. Sadly, it occurs to Steve that if he’d just let you inject Avani, Bucky would be fine, here by his side, and safe.

You are the threat, not his friend, but that’s a hard distinction. If anyone else sees James Barnes��who is the stealth assassin Winter Soldier, as far as they know—they’ll shoot. No questions. Steve has to find him first. He has to get to you first.

Bucky is compromised, but Steve won’t let it come to that. Buck shouldn't do anything he doesn't want to do just because some enemy hijacked his mind and body.

“Feel better?” You twirl in the chair as soon as the motel bathroom door opens, steam billowing out.

Winter’s face is shadowed, pointed to the floor.

“Or…at least, okay? Here—“ you offer the seat next to you at the tiny table “—sit. Eat. Let me—I’ve got bandages for your knuckles.”

“Heals,” he grunts, sitting easily but with stiff posture, “fast.”

You let out a heavy breath, muttering, “makes one of us.”

The soldier reaches out for the file in front of you, but your hand pins it down.

“Uh-uh. Food first, and palm up here, please.” You wait for him to flip open the takeout container then blot antiseptic on the split skin. “Does that hurt?”

He shakes his head, focused on the meal before him.

Several months ago, an article was published about Bucky Barnes’ affinity for this one particular deli in Brooklyn, a third-generation shop. It listed his usual order.

You’ve made sure the bread isn’t soggy. You kept the spicy mustard on the side.

He makes a strange face, looking around for your portion.

“Not hungry,” you assure him, “I’m rarely hungry.” You secure the bandage like boxing wraps and spin the file around.

“Eat your food—” The command is soft, encouraging. “—while I tell you the story of how we ended up here.”

Buried in the file you’ve put in front of the Soldier is several lifetimes of horror. Maybe not everyone agrees with you, maybe not everyone cares, but that bastard Avani has to atone. For the next hour, you explain what’s expected of him, glancing every so often at the fancier hotel entrance across the street from your motel room.

It’s too early; you’d be very impressed if the Captain had followed those bread crumbs yet.

You planned so carefully for every obstacle. You anticipated so many setbacks. Men like Avani go down like great stone pyramids, not houses of cards, because their lives are built with safeties.  For him to fall, a thousand others have to be damaged, and each one of them will put up a fight to remain untarnished. That approach—the truth, and nothing but the truth—has gotten you nowhere. Diaries aren’t enough proof. The placebo effect is not a crime. Two women are worth far less than a functional, marketable drug.

Plus, they’re two dead women. The pyramid is now their tomb. Nothing ever changes.

No.

You alone cannot topple a pyramid. You’re too far gone. You’re just one person. For justice, you have to go straight to the top, to the man himself. One on one.

Well, one on one-plus-one. Your addition is the sharp-shooter who can get you the top, the target, Doctor Avani.

Winter’s mission is very simple, but he’s thorough, asking all the right questions, thinking of all the right options. You knew he would be perfect.

“Now,” you clap at the end of your story, rubbing boney hands together, “a rundown of my meds. Sound good?” You grab a zippered case from the foot of the motel bed. “Nothing complicated, but here—“ nudging out a syringe and one glass vial “—this is the emergency one. Use 10 milliliters of this if I pass out. Got it?”

The Soldier takes an enormous mouthful of his sandwich and nods, eyes flickering back to that single bed.

You smile sadly. “I…rarely sleep. I’m keeping watch for now. You’re safe. You’ll need the rest.”

He chews and adds more mustard before his last bite.

“Okay? Good.” Your smile fades, fatigue and restlessness swirling in your empty gut as you remove another medication. “Next is this one. Every four hours, twent—wait, no, I’m up to thirty CCs now…”

“Sir,” Steve grits out with far less patience than he intended, pinching the bridge of his nose as if it will stop the throbbing inside his head, “you realize I am trying to save your life?”

Dr. Avani purses his lips in annoyance. “And you realize I am required to keep my patients’ confidence, right?”

Yes, Steve thinks, he’s said that several times.

“Are they current or former patients?” Steve tries to clarify.

So far, Salvatore slipped up only once. When Steve showed him the photo from your apartment, the doctor muttered something about ‘Faith’ and ‘Ziva’ knowing each other, looking confused, then immediately shut down.

Steve has to switch tactics. He doesn’t have time for this.

“Ok. We found over a dozen hotel reservations made with your assailant’s credit card, so look at this list—” Steve taps the smart screen to lay out a map with the names highlighted “—and see if anything stands out.”

“What have this crazy woman’s travel plans to do with me?” Avani bites out, rattling the tea his wife hands him.

A tremor. Not unlike how your hands shook at the table last night. Steve wonders if yours was because you are ill or because you were lying to him.

“Darling, your blood pressure…”

Steve sighs sympathetically to Mrs. Avani. “Thank you, ma’am,” he whispers, taking the next cup and saucer and clearing his throat. “Doc, please. I’m just hoping you can narrow this down for me. We still have no motive.”

“Insanity. Jealousy, maybe!”

“Jealous of what? Do you know what she might want?”

No answer, but Avani chews his cheek, eyes wide, while staring northwest on the map of hotels. Steve files that away in his mind.

The doctor returns to sipping his tea. “Do you know what they call people obsessed with finding patterns in chaos?”

His wife drops the plate of biscuits unceremoniously down on the side table between the men’s chairs.

“Salvatore,” she snips with the same frustrated fatigue wrapped around Steve’s neck like an albatross, “behave.”

“No. None of these are familiar,” the doctor grunts.

Steve can’t accuse the man of lying unless he wants to risk an all-out breakdown in communication during this active threat, but he’s running out of options. He needs real information.

Usually Steve would have more respect for a man staying within the parameters of his vocation, but this is a unique and complicated situation. This is Bucky on the line. Steve’s had enough of secrets and red tape.

“Any idea why she’d mail something to Forsyth Avenue? Do you know anyone there?”

“Forsyth Avenue? No, I’ve never been in that area before, as far as I know.” Though Avani wrings his hands together, no indicates that’s a lie.

Wonderful. Steve’s never been this unsuccessful at gathering intel, and Avani’s status as the newly-appointed Avengers’ lead physician makes it tricky to push harder.

So Steve recommends Avani and his wife consider staying in a more secure location before he sets off to personally check the hotels in the northwest quadrant of the map.

He takes Agent Palmer, riding in the SUV while the two diaries sit in his lap, knowing now—as sure as he can be—that ‘Z’ is for Ziva, and she knew you and Faith Williams. Those are ‘the girls’ in the photo.

Without Ziva’s last name, he can’t do a general search, but there is a death certificate on file for Faith.

Three women. One confirmed dead. At least two ‘former’ patients of the doctor. All visibly ill in either the picture or in person. One mourning the loss of person(s) and out to kill the doctor.

The pit in his stomach grows. Something very bad is happening, yet while Steve has anything else to go on, he will not be reading another’s diary.

He can only hope that your medical records are finally available once the hotel searches are complete.

There’s even a possibility he’ll find Bucky at one of these. Maybe he won’t have to concern himself with the rest at all. Maybe he won’t have to think so hard about your motives for activating a Soviet sleeper agent.

Steve does think, however. He thinks hard enough to spiral as each reception desk is questioned, as all security footage is combed, as every building is cleared. He has to make some assumptions to make the pieces fit.

You believe Avani is responsible for your friends’ deaths—both of them, since when Steve interrogated you, you accepted his condolences—and believe their cause of death was whatever treatment Avani administered.

It’s sad, of course, but it happens everyday. Experimental treatments are just that. If you’re concerned about gross negligence, the doctor could easily be reported to the Medical Board. Considering the amount of research, forethought, and planning required, the Winter Soldier is one of the slowest possible solutions to your problem.

But…Bucky was just your contingency plan. You had an opportunity to kill Avani yourself, yet you still set other options in motion. You used a weapon theoretically deadly to only the doctor 

Steve still can’t understand, and it’s driving him nuts.

Finally, after the hotel reservations prove fruitless, Steve sees no other choice. He has to read the diaries.

He combs through the pages, growing nauseous as darker and darker layers of the situation reveal themselves, disturbed by everydetail except updates from the units on Forsyth Avenue or those stationed at the doctor’s house. Nothing is unfolding save the landscape in Steve’s mind.

He asks F.R.I.D.A.Y about the disease Faith and Ziva mention. He asks about the public records of the drug trial Avani lead and its results published just six months ago, after the last entries of the diaries. He notices the treatment was a huge success…for those not in the control group. Finally, he can’t continue.

His head pounds while his stomach churns.

In the early afternoon, Steve lays down to rest his eyes and reevaluate, but he’s met with only a blank  canvas and drifts to sleep instead.

He’s woken by a shrill ring of his phone.

“Yeah, Palmer, what’s—what? What do you mean he’s gone?” Steve jumps up, straps on his shield, and races to his bike. “The hell were you thinking letting him make a house call today? Where did agents—“

Steve’s foot slips right off bike for an instant.

“Avani led the driver to some suburban neighborhood. Forsythia Commons.”

It dawns of him just as the garage door squeals open.

Steve never showed Palmer the receipt. No one else saw the numbers to the address. Steve’s rattled brain finished the label with a street name he knew.

He was wrong.

Including battles in Germany way back in the day, he has rarely driven so recklessly, but Steve is nearly a half-hour behind now. He has to catch up.

Palmer tells him Avani went into the residence alone—for patient confidentiality—and after a while, agents couldn’t get an answer at the door. Upon forced entry, they found the woman who lived there bound to a chair with tape over her mouth and the doctor nowhere in sight.

Steve gets lucky.

On his way to exit the freeway, he notices a hole in the noise barrier wall past a slope of grass. He pulls over and asks Palmer what the backyard of the residence leads to, but Steve can hear the reverb of agent comms before anyone is visible through the brush.

“Friday, I need traffic camera footage from my location from thirty-five minutes ago. Were there any vehicles stopped on the side of the road?”

“Yes, Captain Rogers. A standard maintenance truck with the department’s logo shows up and leaves seven minutes later, based on ten second intervals.”

“The license plate, can you read it?”

“Quality insufficient.”

“The highway department, do they have any registered cars out here today?”

A long pause follows.

“Friday?” Steve barks.

“Negative, Captain. Inspection is slotted for the end of next week, not today.”

“Alright, follow that truck on the cameras. Tell me exactly where they went.”

He doesn’t bother to tell Palmer where he’s going because Steve doesn’t want them to know really. He needs a head start to find Bucky—to make sure it’s Bucky who is found and rescued, not the Soldier who is cornered and subdued.

The trail ends at a dilapidated office park near the river miles outside of the city. With his own, short fingernail, Steve peels away the Highway Department magnet slapped onto the white truck parked by one building.

Nobody else is in sight, and the truck cab is empty.

Across the nearest door is sun-shriveled lettering. “-alv—re Ava—, M.D” marks the third name in a list.

Steve doesn’t hesitate. He can’t. He walks right in, eyes adjusting to a cave-like darkness without electricity.

The voices are faint behind another set of double doors, but he hears them.

“I don’t owe you anything, bitch. I hope you die like they did.”

There’s a sharp slapping noise and someone spits loudly.

“Admit it. Admit what you did and you won’t die today.”

You don’t beg him to talk. You don’t plead with him. You sound weak but sure.

“Rot in hell,” Avani annunciates, and Steve flings himself through the doors, knowing what comes after such a taunt.

You give him every opportunity to come clean. He could save himself, but Avani refuses while the camera records behind you. He calls you names. He calls your friends worthless. He says they were ’whores,’ but you will still send him back to the correct authorities if he tells the truth.

He doesn’t, he won’t, and you’re honestly pleased this is how it ends.

You don’t have a choice really; you must honor Faith and Ziva somehow.

Instead of the truth, Avani curses you, though not much could be worse than your current fate, even with Winter standing a few feet away, his gun drawn.

You have readied the syringe in your unstable hand and lift it to the doctor’s throat when—crash—Captain America bursts in and scans the whole room.

“Don’t do it,” he tries plainly. “You don’t have to kill him.”

You’re impressed. That’s faster than you expected, but Steve is looking at his friend to stop, not you.

“Shoot him, you idiot,” the doctor snarls.

As if Winter thinks the order somehow applied to him, he turns toward an open palm and a raised shield.

“SHOOT HIM!”

Winter doesn’t move the gun away from you and Avani.

Steve steps closer. “Bucky,” he starts slowly, “I’m not going to do that. I’m not here to hurt you. No one has to die.”

You need to buy more time.

“Soldat, show him.”

Only then does Winter lower his pistol and reach into a pocket at his chest, revealing the tuning fork that controls his own mind. Doing this will forfeit your exit strategy, but you’ll accomplish you mission. Winter’s mission is now secondary.

Steve’s eyes flicker from the fork to you.

After a tense breath, you give the command, confident the soldier will obey, locking your focus on Steve.

“Fetch.”

Winter sprints to the other end of the room and explodes through a wall and then a window to the lawn banking the river.

Cap makes a choice, his sad blue eyes full of pity, and it’s then you realize he knows.

He read the diaries. He understands what Avani did.

Steve bolts after the Soldier.

The doctor shrieks for his Avenger to come back, to protect him from his earned fate, but the hollow thuds of a vibranium arm and a vibranium shield colliding hum through the hole in the building.

The sound of fighting continues as you return the syringe to Avani’s neck.

Enough. Enough excuses. Enough lies. Enough time has been wasted on this man already. Enough is enough.

The end is more peaceful than he deserves. It’s quick and not nearly as painful as it should be. There’s no time left for suffering.

Salvatore convulses after collapsing on the stained industrial carpet, foam gently dripping from his mouth, a symptom of his condition when mixed with a common resuscitative cocktail, one you have to take frequently, one that spiked Steve Rogers’ adrenaline and nothing more. It kills Avani. His heart nearly explodes in his chest.

If there was ever a human that medicine should fail…

You only know he’s susceptible because Ziva knew. Heart conditions and caring for them are the sort of thing one knows about a person they love.

Avani promised to marry her, to leave his wife, to be with her after the drug trial succeeded. He promised she’d live, but he told Ziva she was taking the real medicine, ensured she took the placebo, and then gaslit her until the day she died.

Ziva spent the rest of her life loving a man who would make her happy and healthy, but instead, Avani made her life as short as possible.

He was not even that kind to Faith.

In her own words, Faith wrote how dying scared her, how she begged the doctor for the actual medication, how she offered anything to get it. Avani accepted. Faith did whatever that bastard wanted for months, all the while told she was healing.

Relief never came.

Faith was bedridden when a package arrived for her—a diary willed to her by a friend she’d lost touch with once you three weren’t gathering in the same hospital suite for the old treatments. That’s when she put it together, but Ziva had passed two months prior. Faith lasted only four more days, just long enough to bequeath the two journals to you.

The victory doesn’t feel as euphoric as you expected. You thought somehow you’d know that Ziva and Faith were proud and at peace, but you’re just empty and tired.

You stare down at Adani’s body, unfazed, when the tuning fork slams against a dangling metal doorframe and Cap shuffles through the rubble.

He’s scraped and beaten which isn’t what you ever wanted, just a necessary evil to fight evil. He watches as Barnes walks in from the grass.

“It’s me, punk. You can put that thing down.”

Bucky doesn’t wait for Steve, snatching the prongs right from his hands and tucking it back in his jacket.

There’s a moment where they almost hug before Steve remembers the doctor and rushes to the man at your feet.

“Call for help! I'm starting CPR.”

Barnes simply holds your gaze.

More sad blue eyes. It brings you hope that he will complete his mission.

You step away from the others to make for a cleaner shot, nodding that it’s okay, breathing a rough but weak “please” for emphasis.

“Buck?” Steve looks up as Bucky points his gun at you again. “What are you doing? STOP. It’s over!”

“His mission was never to kill Avani,” you hiss, unable to take your eyes off the perfectly-centered muzzle directly in front of you. “He’s here to kill me.”

“The hell—“ Steve climbs to his feet “—why would you shoot her?”

“I’m not going to jail!”

“You know what they’ll do to her, Steve.”

Both men take one step closer.

“There has to be another way.”

“I did this because it’s the only—“

“—can understand doctors who taking advantage and manipulating their patients better than anyone—“

“Put the gun down!”

“Pull the trigger! It'll be—“

“—told me he could do better than me,” Bucky barks. “Doc said, to my face, that he could make a better me. He wanted to make soldiers, Steve. More soldiers. Avani didn’t give a shit about what was right.”

You jump in. “If you found the diaries, you know what he was capable of.”

“That’s not how this works. We don’t condemn a man from—“

This time you step toward Barnes. “Just do it. Shoot me now.”

Steve lunges to take your wrist in his hand, your limb comically thin and delicate beneath all his enhancements.

“She doesn’t deserve to rot while they sweep this under the rug,” Bucky adds, voice low and serious.

“This is for the best.” You look at Steve now, and something heartbreaking swims in those morose pools, something unspeakable.

His head shakes, dirty, sweaty hair falling in his face. “What if there’s another way?”

“I don’t want to be saved, Cap. Let me go.”

You offer one final, soft smile, and Steve moves just as Bucky pulls the trigger.

Steve completes his testimony before the panel opposite him. None of the questions are a surprise.

They’ve painted you as completely insane, demented, psychotic, and he can’t argue. What would he tell them? Yeah, but she had kind eyes, so, you know, remember her fondly? No, he can only remain quiet until he has something pertinent to add which is very little. Bucky had far more to offer, and he already spoke.

When Steve steps out of the counsel chambers, Maria Hill is waiting for him.

“Shame she ordered the Soldier to dispose of her body. Took the coward’s way out.”

“You make her sound like a rabid animal that had to be put down,” Steve grit out. 

“No, you’re right,” Hill admits, “but it was lucky she left the sound thing for—”

“Tuning fork,” he snaps, “which I destroyed. No one should have that. No one should even know about it.”

Buck does his best to calm Steve down with a heavy hand on his shoulder. “S’okay, pal. The interrogation footage has been wiped and unless someone with perfect pitch was walking by observation--”

“You know that’s not reassuring, right?”

The two huge men look at each other.

Steve finally mutters, “what about Avani’s widow?”

“All the blackmail sent to his mistress in Forsythia Commons was removed before Gloria even knew Sal was kidnapped, and I think it’s fair to say that lady is so grateful her name wasn’t dragged through the press that she won’t be bothering the wife. Good thing the doctor put her car and house in her name, or legally, this would get ugly.”

“Yes. We’re very lucky he was such a skilled adulterer,” Steve quips dryly. He regrets handing over the diaries for evidence. They weren’t mentioned once in any of the hearings.

Bucky flashes Steve a warning glare that reads, don’t start.

Hill obliviously flips through the folder in her hands, nodding. “All in all, this report amounts to an incredibly long lead-in of ‘use that PTO, boys!’ You earned it.”

“Understatement of the century…and I would know.” Bucky is a much better liar than Steve.

Thank god, they are fleeing to the middle of nowhere indefinitely.

Hill heads back to her office. “We’ll be here when you get back. Keep in touch.”

“No,” Steve counters. “I don’t think I will.”

Bucky and Steve leave in an old truck the next morning. They can’t seem rushed or impatient to get to their destination.

Casually accumulating supplies, Steve loads their bags in the flat bed with space for all repair materials they are likely to need. The cabin needs some work; the guys need to get their hands dirty and live simply for a while.

The team is happy for Steve; it’s been so long since anyone saw him moving forward in life, and, of course, he and Bucky deserve some peace and quiet.

No one else has any idea how hard-won this vacation is.

The drive takes all day because they can’t be in a hurry.

Steve takes pictures at every scenic outlook. Bucky climbs up onto some rock ledges to take selfies which Steve is not into. This earns him being featured as a blurry grump in the background of all of them, purposefully.

Eventually, the GPS-free truck pulls up to the place, a large A-frame style cabin that should be plenty big for two super soldiers.

Parked on the gravel path, Steve is careful not to ding the other car when he swings open his door. As Bucky heaves two duffels from the trunk, he calls out, “got the meds, too” and heads inside. Steve gathers up the remaining bags and trudges over, smelling something hearty and delicious cooking, listening to the tinkling, copper-coin wind chime hanging somewhere above him.

He doesn’t stop looking at his feet until they hit the top of the porch, spotting two smaller bare feet on the welcome mat.

There you are, holding the door open, layered in warm knits, more tired before but better than expected.

“Hey,” Steve breathes finally.

“Hey,” you say, your mouth twisted to hide an excited smile.

“Yes, hello,” Bucky grumbles from the living room. “Now shut the damn door. I’m hungry.”

Steve steps inside.

[Last Part]

[Main Masterlist; Ko-Fi]

a/n: Sorry this took so long a fucking year! Tags will be in a reblog.

[peachdues]

Hi Peach!

I hope you are doing well

I just seen your reblog about the DS Mark and in the tags you had mentioned WWII

I hope this isn’t nosey but I was just wondering what your theory/explanation about the war was as I was curious to see if we had the same thoughts about it

My headcannon is that Sanemi and Giyuu survive the mark but I always pictured them passing away during the war in their early 50s

X

Okay! Theory time! Slight spoilers for KNY ahead.

So first and foremost, we never have proof that the curse is actually real — it’s a theory. we never get direct confirmation that the 25 thing is true. The Corps does not have a good track record when it comes to life expectancy. Muzan is also not a reliable source — he has an ulterior motive in baiting Tanjiro to become his new vessel.

But even setting that aside, the “dead before 25” thing just isn’t feasible — especially for Sanemi and Giyuu. To break it down, let’s take a look at the canonical timeline and both men’s ages at the end of the series:

When we first meet Giyuu/Sanemi, both are 21 years old. Following @demonslayedher ‘s timeline (which is wonderful and the most accurate I’ve seen), the final battle with Muzan happens a few months later, most likely in January.

We don’t for sure whether Sanemi or Giyuu is older than the other — as in, we don’t know who turned 21 first. Sanemi very well could be 22 by the time the final battle happens and we know Giyuu has his 22nd birthday between the end of the battle and Tanjiro regaining consciousness (the timeline estimates Tanjiro wakes up sometime in March if I remember correctly). That means either Sanemi is 21 at that time (to turn 22 months later) or he’s already 22, going on 23 in about eight months time.

We get a year update from Tanjiro (one year after the ending of the main series). this means Sanemi and Giyuu are at least 23, and possibly one of them is 24 (or near that age).

We know, based on the update, that Giyuu and Sanemi are both still adjusting to their new lives post-Demon Slayer Corps. There is no mention either of them have settled down. In fact, at the end of the main series, it appears both are traveling to an extent (enjoying the youth they haven’t experienced).

Applying the “Sanemi and Giyuu die before 25” theory, that means they both have just over a year (at MOST maybe a year and a half or two years) to find a wife and settle down — AND have children. One pregnancy = 9 months, so that shortens their window even more. Why? Because of the epilogue.

We know that both Giyuu and Sanemi have at least one descendant who has carried their surname into the modern age. In a patriarchal society, surnames pass with male children. So not only would Sanemi and Giyuu have less than two years left to find a bride (and I don’t think either of them settle for the first woman who comes along) and impregnate her, but they *also* had to have both had a male child on the first try. Otherwise, there is simply no time for either of them to keep trying for children until they produce a male, which, again, they already lose 9 months with one pregnancy.

I’m not saying this scenario is impossible — but also think about the greater context of history. Demon Slayer is a historical fantasy set during the Taisho Era. Thus, while demons certainly don’t exist in the real world, KNY incorporates much of the history of that time period into its story — the Taisho era setting is almost its own character.

And what happens about 20-ish years after the end of the series? WW2. A time that resulted in massive loss of life to Japanese citizens as a result of the Hiroshima and Nagasaki bombings (plus the war in general).

So, not only would Sanemi and Giyuu both had to have had a male child in the short one year before their theorized deaths, but those male children had to have survived long enough to reproduce with more male children to continue the family name into the modern age. Again, not impossible, but considerably less likely given the historical context, never mind the realities of being a human.

All this to say, to actually apply the 25 theory means a lot of variables have to align perfectly — more so than is almost believable.

TL;DR — it’s a theory at best, but correlation does not equal causation. That slayers who manifested the mark died before 25 isn’t surprising given the context. The mark manifests when the slayer is pushed to their absolute limit — meaning they simply can’t fight any better. It makes sense then that their body gives up, or that they lose especially because everyone’s limit is different. A weaker slayer can manifest the mark and be no where near the strength of a hashira, so it makes sense they die against a demon with the strength of an upper moon.

Simply put, we have no hard confirmation that Sanemi and Giyuu will die before 25 — and even if they did, that undercuts the significance of their own endings, which further casts doubt on its validity.

I could go on about this, but I’m probably rambling. But that’s my summary in general!

[trollprincess]

Eighteen years ago, my great-grandpa George passed away.

Grandpa was a badass. One day, he meets this woman whose husband left her and their four kids and they hook up. In fact, they hook up so quickly that the first of their two kids has the previous guy on the birth certificate as the dad by accident. (They get it changed later.) Not long after, Grandpa joins up for WWII. He looks good in a uniform - my dad says he looks like Errol Flynn, I say Clark Gable. Grandpa storms the beaches at Normandy, but never mentions it. He comes back home, works construction, even helps build the Twin Towers. In the 70s, he and my great-grandma finally get around to getting married just for the Social Security. Six kids, and you would never be able to tell which ones were and weren’t his. He treated them all the same.

Anyway, every time my mom would get a new kitten, Grandpa would always say, “You should name him after me!” She liked people names for cats, and he kept asking, and she kept putting it off. And then he passed away.

A few months later, she got George the kitten.

Grandpa was one of those stocky guys who walked a little like he couldn’t put his arms all the way down. He was gray for as long as any of us could remember, and he had asthma. George the kitten was a gray seal point who soon turned into a weird stocky-looking thing. Not long after we got him, he started to wheeze every so often. Turns out, he had asthma.

The reincarnation jokes started pretty quickly.

For eighteen years, George was a big blocky lump of a cat, stocky but not fat, who could yowl with the best of them. He loved a good snuggle, and expected a pet as soon as you walked in the door. He got a little grumpy when suddenly there was a dog in the house, and then another one, but he got over it. Last photo I saw my mom post of him, my dad was on the couch covered in him and two boxers. The only reason more animals weren’t on him is because after those three, there was no room.

A year or so ago, he started losing weight. It’s strange, seeing a cat who’s always been built like a tiger drop to skin and bones. We have another cat who’s up there in years too and probably not much longer for this world who’s dropped weight as well, but the difference between big blocky George and old skinny George is startling. It’s like we lost half a cat somewhere.

Tonight, he goes to the vet to cross the rainbow bridge.

It’s okay, though. Grandpa will be absolutely giddy to finally meet his small furry namesake. Or will he just go back to where he came from, content he found another way to hang out with us for twenty more years?

Anyway, a toast to George. May you all unsettle your families into believing in reincarnation and demand attention by loudly yelling at everyone in his honor today.

[shelyue99]

You see the three musketeers sit around the table here shooting the bull, so while it rolls on I'll see if I can make any sense out of this. The three are Irishmen-one Capt. Nixon, and Lt. Welsh and last of all the Major. Now Capt. Nixon is the biggest drunk I've ever seen, known, or hope to see. He's worth a small fortune, never'll have to work a lick in his life, but absolutely the most reliable man I've ever known. Welsh is as bullheaded as you'd expect an Irishman to be.

—May 16, 1945, Letter to DeEtta

At the present time we're (Nixon and I) ribbing Lt. Welsh about marrying an Irish girl by the name of Kitty Grogan. He hopes to be married inside of four months. We're carefully explaining that some 4F will grab her off before that. If he does manage to get married, we promise to steal the bride for the balance of his leave unless he hires us to protect him from others who may have the same intentions. Price is 1 qt. of scotch for Nixon and 1 qt. of ice cream for myself. He doesn't take us seriously.

—May 30, 1945, Letter to DeEtta

I've mentioned Capt. Nixon I believe, of Nixon, N.J. [W]ell I've got him writing his first letter since last Nov. to his wife. Quite a guy, he's having one hell of a time getting organized and down to work. Claims he hasn't anything to say to her, just to his dog. He has a baby boy that he's never seen, but he won't talk about his son, it's always his dog. Knowing you, why I know you could spend an enjoyable two or three hours talking about how awful he is-if you knew him. However I'll tell you he's idealistic. I've known him three years and lived and slept aside and fought with him for two. This guy loves one thing right at this stage of life: a bottle of spirits or a fight. He's OK in a fight, but Jesus, outside of that he's absolutely the most undependable man you'd ever want to find.

Since we've been overseas he's only run around with one girl. An English girl and she was anything but beautiful. However she was a good listener and companion. In fact I am not too sure but this guy might end up staying over here in England. Ah yes, things are really snafu-and don't ask me what that means.

Now here we have Welsh & Nixon mixing Vodka, rum & vermouth-oh boy it won't be long now.

—June 2, 1945, Letter to DeEtta

(Writing about the job offer at Nixon Nitration Works) “I don't count on a thing until I have it," Dick confessed, "but it sounds good."

—September 2,  1945, Letter to DeEtta

Do you know what this new regimental C.O. has gone and done? Declared me essential. Why? Well you know all those nice things one can say at a time like that. Me, with 100 points as of V-E Day, and about the only officer in the regiment who has enough points to get out, and who doesn't want any part of the army, stuck until the division goes home. Which won't be this year. Boy, do you smell smoke? Don't worry, it's just me.

Capt. Nixon left this week, which makes everything just dandy. I am about as lonesome as a lovesick swab who married a Wave on an eight hour pass.

—September 16, 1945, Letter to DeEtta

From “Hang Tough: The WWII Letters and Artifacts of Major Dick Winters”

[love-minor-poltergeist]

A/N: I saw the positive reception that my Barbi hcs and I wanted to say, from the bottom of my heart, thank you kindly!! I always find myself feeling apprehensive on deviating from the fandoms I usually write for, so the fact that you all seemed to liked my Barbi content means a lot! (〃＾▽＾〃)

In the spirit of things, I decided to try my hand at baking a batch of hcs for our lovely, awful Police Sergeant Coyle! I will admit that his character was a little bit more difficult to write for since there's a lot uncomfortable themes and ideals related to his character. However! I welcome the challenge and hope that these turned out okay. Lemme know what y'all think!!

!Content Warning!: There's a passing mention of CSA/Childhood Sexual Abuse since the comics implied that it happened, and while it's only mentioned very briefly, it's better to play it safe

General Leland Coyle Headcanons:

╔═══━━━─── • ───━━━═══╗

Ever since his father served in the military briefly in WWII, which subsequently left the older man an invalid– having lost a foot and permanently unable to walk normally– Leland was left to carry out most of the physical labor around him and his family’s cattle farm. Pa would still insist on bossin’ him around, though, and Leland usually had to be the one to help him walk the fields while dealing with the cattle. Of course, once he joined the local police force, most of those duties fell upon his ma. 

Granted, in his ever charming views, he always thought Ma did a crap job of the physical work, so he’d usually take over anyway. All the while he and Ma argued back and forth on the fields.

An average day, if he wasn’t off dealing with police duties, he’d watch the cattle and make sure they’ve eaten and prod any escapees back into the fields. He was none too gentle, either, and he’s earned his fair share of bruises and narrowly avoided a few nasty kicks. Leland’s even got a particularly nasty scar on his lower abdomen from getting gored by a rowdy heifer. It luckily wasn’t deep enough to get him sent to the hospital, but boy did his parents ridicule him for being dumb enough to let it happen in the first place. 

Cannot cook for the life of him. Pa drilled it into his head that cooking was a woman's job, so he never really bothered to learn. All of the housework was handled by his wives, and god forbid if they wanted a break from it… During the brief stints between each marriage, Leland’s survived off diner food, cigarettes, coffee, and the occasional frozen tv dinner. 

On the other hand, however, he’s completely fine with a man cooking if it’s to handle a grill. Hell, Pa was the one to teach him how to prepare meat after they’ve sent their cattle off to the slaughterhouse, and goddamn can he cook a mean steak. Now that he thinks about it, Leland sometimes wished he paid more attention on how to make fried chicken when his Ma tried to show him… 

The Coyle family were devout Christians and attended Sunday mass each week. Of course, Leland doesn’t practice the religion much as he grew older, but much of the values taught to him remained; most of them perverted to fit his ideals. 

Thanks to his chronic smoking habit, Leland’s appetite is close to nonexistent. He does it so much that the other officers of the Blackwell Police Department often joked about how Sergeant Coyle’s office may as well have been an oven with how much smoke emanated from his office. However, given how he’s the one to handle most of the paperwork until the asscrack of dawn, and with only a cigarette and numerous cups of coffee littering his desk to keep him going, no one really complained. 

Usually shaves his head during the summer time. Sure, he’s a vain man, but it’s become a habit after his time in the military. Not to mention that it usually helped him keep cool during the days where he toiled in the fields with the sun beating down on he and Ma. The habit followed him into the Sinyala facility, where staff usually had to shear him down since, though he’s a Prime Asset and thus has special privileges, he’s still not to be trusted with anything sharp. 

Has extensive firearm training. Pa first showed him how to handle a rifle whenever the farm had to deal with coyotes and stray dogs that harassed the livestock. On the offtime there wasn’t anything to shoot, young Leland was usually spotted by the fence posts in the outer perimeter of the farm, practicing his aim with a few cans and empty bottles. Which eventually graduated to shooting at any unlucky birds or cats that wandered too close to the property. He was also put in charge of putting down any sickly cattle, too, after Pa was left crippled.

His aim only got better thanks to his time in Okinawa. He’s got more experience in rifles and pistols, but he has a natural knack for machinery, and he’s a quick learner. Not to mention that he follows gun safety to a fuckin’ T…. Which only made him even more offended when he learned that some deformed, baby-talkin’ runt got a gun before he did in Sinyala. 

Usually has a sore back after trials. Sure, he can handle lugging around that pontiac car battery on his back for hours if he needed to, but goddamn is that thing heavy. First thing he does after a trial is stretch until he hears his back pop. 

Suffers from really nasty night terrors. Going back to his comic and how it briefly touched on how Leland’s exhibited signs of CSA, it’s highly possible that much of the abuse occurred behind closed doors and at night, where everyone else was asleep. He’s avoided sleep like the plague since then. Both as a means of trying to protect himself and not have to deal with constantly reliving the incident. He’s never talked to anyone about it, and refuses to do so. 

He’s also coped with it via hypersexualising himself and inflicting pain on others. It gives him a sense of control and a rush of power that was stripped away from him. Silently vowed to never let himself be that vulnerable again.

╚═══━━━─── • ───━━━═══╝

[international-writing]

Intelligence agencies 101: MI6

Dashing spies and deadly agents, from James Bond to Alex Rider and George Smiley. We have all heard of British Intelligence, but just how much do you know about MI6?

1.- It is the oldest secret service in the world.

If we want to get technical, spies have been working for the British crown since 1569, thanks to Queen Elizabeth I and her Secretary of State, Sir Francis Walsingham. But for now, we'll focus on the contemporary Secret Service.

Hear me out, back in 1909 in the midst of what we call the "armed peace", things were getting anything but peaceful. Countries developed and accumulated weapons like it was a sport, and most of them were unsatisfied with the territories they owned. Germany was going all Queen and screaming "I Want It All", which made the rest of the European countries slightly concerned by its imperialistic ambitions.

Britain was the first to grow paranoid and so Prime Minister Asquith decided to have the Committee of Imperial Defence, create a Secret Service Bureau.

However, it is worth mentioning that the existence of the agency wasn't formally acknowledged until 1994, under the Intelligence Services Act, and even though everyone had known about it for ages.

2.- They have very... diverse tasks

Officially, MI6 is tasked with the collection, analysis, and adequate distribution of foreign intelligence (it is a common misconception that MI6 also handles national affairs, that's what its counterpart MI5 is for).

Now, note that I said "officially", and that is because unofficially (it is kind of very illegal), MI6 has been known to carry out espionage activity overseas. But you already knew that, didn't you? Otherwise, why would you be here?

3.- Roles

As described by the SIS itself, there are several roles within the organisation:

Intelligence officers: Must be UK nationals of at least 18, with no drug use and pass a very intrusive security clearance. The jobs are divided into the following subcategories:

Operational Managers: planning and managing intelligence collection operations.

Targeters: turning information (data) into human intelligence operations.

Officers: link to Whitehall (government) as well as validating and testing intelligence.

Case Officers: managing and building relationships with agents.

Operational Data Analysts: Must be UK nationals of at least 18, with no drug use and pass a very intrusive security clearance. Tech abilities are a must. Training course lasts 2 years.

Tech Network Area: Must be UK nationals of at least 18, with no drug use and pass a very intrusive security clearance. Skills in: GoLang, gRPC, Protobuf, Kubernetes & Docker Python, Java, C#, C, C++, and React (+Redux).

Language Specialists: Must be UK nationals of at least 18, with no drug use and pass a very intrusive security clearance. Russian, Arabic and Mandarin linguists are the most solicited, followed by translators.

4.- Their alphabet is a bit jumbled up

Anyone that has ever seen or read any 007 material knows that M is the head of MI6, whether that be Judy Dench, Bernard Lee or Ralph Fiennes.

But what if I told you that the head of MI6 is actually a certain C?

Back when the Secret Service Bureau was created, a 50-year-old Royal Navy officer called Mansfield Cumming (and dubbed "C") was chosen to head the Foreign Section.

5.- MI6 or SIS?

Officially, the agency's current name (adopted in 1920) is Secret Intelligence Service, hence the acronym SIS, but it wasn't always that. We've established that it started its days as the Secret Service Bureau, and during WWI, the agency joined forces with Military Intelligence, even going as far as to adopt the cover name "MI1(c)".

The agency continued to acquire several names throughout the years, such as "Foreign Intelligence Service", "Secret Service", "Special Intelligence Service" and even "C's organisation". It wasn't until WWII started, that the name MI6 was adopted, in reference to the agency being "section six" of Military Intelligence.

And I truly do hate to be the bearer of bad news but... the name MI6, as cool as it sounds, is no longer in use. Writers and journalists still use that name, but those within the organisation just call it SIS nowadays.

6.- They are fond of their traditions

Remember our dear Commander Mansfield? Well, turns out he started a thing. The man used to sign his letters in green ink and always with the letter "C" a tradition that proved to be sticky enough to be passed down to every single Chief afterwards. Another tradition worth mentioning, is that of calling intelligence reports "CX reports", which... you guessed it, is still done to this day.

7.- Special friends

On 1949, the SIS began a formal collaboration with the CIA, even though the agency had already helped to train their predecessor's personnel, the U.S. Office of Strategic Services.

Even the CIA has admitted that the MI6 has provided them with some of the most valuable information of all time, including information that helped during the Cuban Missile Crisis and key elements to the capture of Osama Bin Laden.

I hope this will be of some use to your future writings and do feel free to submit an ask if you happen to have a specific question regarding British intelligence, or any other International Relations subject!

Yours truly,

–The Internationalist

[thatscarletflycatcher]

There's something that has been gnawing at me since I saw some comments on the look-how-they-massacred-them poll for Daniel Sousa -with which I didn't want to engage then and there because I really didn't want to pick up a fight with another Daniel fan, there's few enough of us, but also because the argument was very difficult to articulate.

It is difficult to explain how Daniel Sousa is screwed over by Endgame without making it look like either "he deserved Peggy as a prize" or "he was the perfect prize for Peggy", because it all begins by understanding the experience of WWII and the building of the morale of WWII. Something that Markus and McFeely seemed to perfectly understand in Agent Carter, which inclines me to believe it was specific insistence of the Russos, whose concept of narrative and storytelling is at the level of a belligerent and not very bright 4 year old, that gave us that mindblowingly stupid "happy ending" for Cap and Peggy. Or maybe Markus and McFeely are just arcane creatures, at times intelligent and at times really dumb. Anyways.

Point is that both CATFA and Agent Carter understand that for these characters, fighting WWII is a matter of "each doing their bit", of, as Steve put it in The Avengers, to lay on the barbed wire so the one that comes after you can pass on. And in the process of doing that, you have great loses and suffer great grief. The price of war is immense, and for these people the price of war is the price of freedom (yes, that celebrated Steve speech from CATWS is also sharing in that same spirit. It's kind of impressive how until that awful mess of Endgame, the perspective of Steve as a character from movie to movie is one that addresses how some 1940s things are outdated, but how many others are still relevant and inspiring. It is a surprisingly nuanced take on History, that of course the Russo "Cap is an outdated relic that belongs in the past and should stay there" brothers don't seem to have what's needed to grasp).

In that context, the most coherent tone for Steggy is tragedy. Because that is what happened to many, many, many people during the war. You meet, you fall in love fast, because there is no time. And then suddenly the other is gone, never to come back. And all the promises of youth and life and future the other person represented, are gone with them. People who lived through 2020-2022 have some idea of what it is like for projects, opportunities, and years of your life to just vanish. Now you make that five years, eight months, and to mention "just" the British, 1 out every 100 people live in 1939, dead, and over 350.000 permanently disabled. If you were 20 in 1939, your life would be practically on hold till you were 26. It's a whole lot of grief, and an intense grief, that you don't solve the way you solve a random missing connection in a romcom like Serendipity or The Lake House. Doing so is cheapening and bastardizing the grief and trauma of a whole generation of people in different countries.

So, Agent Carter. Here we have a story focused on a group of people, spies, who, in different fronts and with different outcomes, made it through the war and are now facing this new world they are living in, and all the grief of their respective losses. The focus of the story is Peggy, a woman who, like many others, was allowed a wide range of action during the war, and is now subconsiously perceived as a threat by many of her male coworkers. It's a desperate bid to "go back to the way things were before", and her presence is a constant reminder that they can't.

Sousa occupies a very similar position to Peggy's: he's also a reminder that the war happened and that there is no way back, no magic solution, no pretending. And that's why both are ignored, and displaced, and why both struggle to prove themselves in a subconscious way while living by the continued principle that they are doing their bit. That is their lifeline that keeps them sane and working all throughout s1 of Agent Carter.

That's what we mean when we say Peggy and Sousa are equals, and that Sousa is contented with letting her have the spot; not because he's her inferior or her dependant, but because he's her equal -in intelligence, in ideals, in resourcefulness, in loyalty, but also in their relative positions in the power ladder- and does not feel threatened by her because of it.

(It is in this context, btw, that Peggy's rebuke of Daniel's "rescue" of her in the first episode must be understood. Because she was once treated like any other officer/agent of her same rank, she has knee jerk reactions to both being demeaned and being protected. It's also an important theme of that beginning of the series that Peggy needs to learn to let her friends in, and that she needs their help, and that that doesn't make her too weak to protect and defend them.)

But also, in another way, when we talk about Sousa becoming Peggy's husband, it has to do with the sentiment Krezminsky expresses in the series:

The ship of Steggy had sailed and was gone forever since the moment Steve became the legend in the ice and Peggy "Cap's Girl", this embodiment of the ridiculous damsel in distress we hear in the radio drama that plays on one of the episodes: Peggy fell in love with Steve when he was a scrawny, sickly lad, because she loved the man he was inside, but now forever for the world she is just another superficial, weak girl lusting after the handsome godlike rescuer, the picture of the eugenic dream of the übermensch. In Daniel Peggy loves and finds all the same things she found and loved in Steve, but in a different light, because Sousa is a different person, with a different life story, plus something else: they have both gone through war and its loss and grief, and come to the other side in need of rebuilding and finding new meaning in life and hope for the future.

In a world where the Dark, Tall and Handsome Hero of the Six Pack, Alpha Dominance and Endless Stamina reigns supreme, Sousa as a love interest is a remarkable and -sadly- bold statement about the things that truly matter in finding one's life partner.

So I think here is a reasonable point to start talking about Sousa in Agents of SHIELD. Because here's where someone would rationally say "well, but you see, there he's also chosen as a love interest!", and the reasons why context in AoS changes everything are multiple, so let's go there.

But before that, let me make clear that I do wholeheartedly believe the writers of AoS meant to honor Sousa, and sincerely tried to do their best with what they were given. That doesn't change what the end product ended up doing and saying about him.

Like Peggy is the main character of Agent Carter, so Daisy is the main character of Agents of SHIELD. As much as you can say all the team characters are important and get the focus, Daisy is the one which the narrative insists on making the focal point, as the arcs of several seasons hinge on her, and we are expected to sympathize with her first and foremost in any situation in which she is personally involved. But unlike Peggy, Daisy is a superpowered individual. She's more like Steve than Peggy; she's practically a demigod. She is capable of ripping Earth apart with just her hands. Where Peggy and Sousa were equals in the power ladder in-universe, in AoS the distance between Daisy and Sousa is abysmal. That imbalance is the first thing that leads to Sousa being put in the position of Daisy's Boy. The fact that he ends up in space with Daisy's last minute sister who is ALSO an inhuman does not help things.

As a side note, there's something to be said about futuristic prosthetics in AoS and how they interesect with disability. But I'd rather not get into it because it is a thorny subject and I don't feel qualified to speak of it.

In a different way, Daniel being Peggy's love interest in Agent Carter is balanced out by his having a life of his own and many interactions with other characters throughout the series. He pursues his own lines of investigation, he conducts interrogations of his own, he comes up with plans, he teams up with Krezminsky and with Thompson and in s2 he has downright made a life for himself as chief in California with a fiancé and all. There is a clear sense that he exists as a character outside of pining for Peggy.

In AoS, the opposite happens. Part of it is owed to the writers writing themselves into a corner: to take Sousa out of his timeline, they have to do it in such a way that his disappearance is inconspicuous, which means killing him. They do it the best way they can think of, honoring his alertness and intelligence, by making him realize HYDRA is infiltrated in SHIELD decades before anyone else does. But as a consequence, Sousa becomes the man out of time: there's no future for him, because he has died, and unlike Steve, he's not being brought back because he himself is required. They just save him because they take pity on him and the tragedy of his life. So he has no mission and no significant previous connection with anyone on the team. One of the concrete things in which this is evidenced the most is with the switch from being addressed as chief Sousa to Agent Sousa. He was chief, but between that SHIELD and this SHIELD there's not such a connection by which he can claim that title. There's no subordinates to manage. So he's sort of default-called agent without really being a proper agent.

So the writers choose the fish-out-of-water concept for him. Which is far fetched. This guy lived through wwii in a high spy setting where intelligence has knowledge of powerful interstellar aliens. He's most definitely not bewildered by phone cameras, guys. He would quickly adapt... if, again, you know, he was brought back for a mission. But the reality is that from a Doylist POV, he was brought in to be Daisy's love interest, and the only thing he can offer to her, in this huge power imbalance I have pointed out, is chivalrous manners and quaint WWII style references like when he tells her "Agent Johnson, we are going home"; both can be very charming to a modern woman, but they are things that highlight the cultural and psychological distances that separate them, and make it glaringly obvious that they have barely anything in common.

The series tries desperately to give them common ground in the time-loop episode, with this idea that Daisy is like Peggy because she sacrifices herself for others and to protect others all the time. Which is laughable because, again, in Daisy's condition of beloved main character that embodies the tortured, quasi byronic heroine that we understand to be the hallmark of about one half of the contemporary superhero type, the narrative and the characters in it bend all sorts of ways to accommodate her, not the other way around. Peggy's type is different because it is rooted in that WWII morale/frame I was talking about at the beginning of the post.

As a consequence of all of this, Sousa barely interacts with anyone that isn't Daisy (he has of personal scenes, what? one or two with Coulson, the scene where Jemma gives him a new prosthetic, and then he's given an idea to give to Mac in the finale. I don't remember any other non-Daisy ones), has no unique role to fulfill in the mission (specially because so much of the plan is entwined in Fitz and Jemma's rescue plan that was NOT counting with Sousa) and no personal goal to achieve, which weakens his standing as a character outside the romance plot, and when it comes to the romance plot, he has nothing in common with Daisy, and he brings nothing to the partnership other than... narratively forced love, and chivalrousness.

In the end, Daniel, who was a character and a person of relevance in Agent Carter, is nerfed and turned into a prop for the rushed happily ever after of the main character of AoS. And that, in my books, is being screwed over. That's what makes his becoming Peggy's husband and building a life and a future with her a much better and more preferable outcome for Daniel; he gets to build a life of meaning by his own significant work and significant connections, in his own time and place, with a wife who is his equal and with other people that have lived through the same collective experiences of trauma and grief he did.

[wordsaresimple-imnot]

Pen pal's - Bill Guarnere x F!Reader

Summary: Bill's childhood friend and neighbor writes him a letter after Henry is killed. They keep writing each other throughout the war, but following the events after Bastogne Bill sends a final letter that might end their future before it can really start.

Warnings: she/her pronouns, reader goes by childhood nickname, angst (mentions of war & healing from injuries), does have happy ending.

A/N: I have the biggest respect for the real life heroes of WWII (and all other wars, past & current), this work & all other works is based on the actor(s) and character(s) portrayed in the Band of Brothers series.

A/N pt 2: Full transparency, this one sorta got away from me but I let my creative muse take over and here we are. I was sitting on this idea for a minute and honestly, I love how it turned out. Hopefully y'all like it too! Comments, likes, and reblogs please!! Thank you!

------------------------------------------------------------------------------

It was two weeks after Henry passed when a letter arrived for Bill. He didn't recognize the handwriting, but he knew the return address by heart. It was the house right next door to his childhood home. His suspicions of who it was from was confirmed once he started reading it.

Billy, I've spent the last week trying to figure out something comforting and eloquent to say but all I can come up with is; I'm so sorry about Henry. I can't imagine how you feel. I can't do much to make you feel better over there but I promise to help your mom and sisters with anything they need. You all have been a second family to me my whole life. I pray you stay safe and come home soon. Pip. P.S. I found this picture in one of my old journals and it made me smile. I hope it can do the same for you.

Bill flipped over the photograph that had been included and did, in fact, smile. It was three young kids laughing at the camera, completely covered in mud. He was pulled from the memory of that day when a hand grabbed the picture away from him.

"Henry, Billy, and me." Luz read the back of the picture out loud before flipping it around. "Who's the girl?"

"None of your business." Bill grabbed the picture back and stuffed it in his breast pocket, sending Luz a glare.

Not being fazed at all, Luz leaned over and skimmed at the letter Bill was still holding. "Billy? Who's Pip? Same girl from the picture?"

"Who made you the new Nixon around here? Fuck off, will ya."

"What's got Gonorrhea's in a twist?" Toye asked as he joined the two of them.

"Got some letter and picture from a girl." Luz wiggled his eyebrows suggestively.

"What, girl's not your type anymore?" Toye smirked at Bill.

"Both of you's, shut the fuck up. It's a neighbor I grew up with. She's like family."

"She cute?" Toye asked at the same time Luz said, "Is she single?"

"She's nothing to you two's or I'll break your jaws." With a final glare Bill folded up his letter and walked away. Toye and Luz smirked at each other, knowing this wouldn't be the last time they pissed him off about this mystery girl.

~~

Pip dropped the remaining pieces of mail on the ground and rushed to her room, eager to read the letter addressed to her in messy handwriting. She knew she was smiling like an idiot as she read it, but she didn't care.

Pip, I appreciate you reaching out and taking care of ma and the girls for me. I couldn't ask for anyone better to watch over them. You're picture did make me smile, something I haven't done much of lately. I can still hear our ma's chewing us out over ruining your dress. Said Henry and I were keeping you from being a 'proper lady'. And if I remember correctly your response was you'd be one "when pigs fly". Thanks for reminding me of happy times. Don't be a stranger. Billy.

Two weeks later, another letter arrived.

Pip, I saw a field with some horses in it today and I thought of you. How you always wanted to live just outside the city with some land to have a horse and lots of dogs. I hope you get to have that one day. Maybe I'll come by and visit when you do. Billy

The next day as Pip made to leave the house to drop her response off at the post office, she ran into her mother.

"Where you off to in such a hurry?" The gleam in her eye and glance down at the letter in Pip's hand made it obvious she already knew the answer. Pip decide to play along since she was an only child and her mother needed to fuss over someone now and again.

"Just sending a letter back to Bill." She'd stopped calling him Billy out loud to people, but that's who he'd always be to her.

"Yes, I saw he'd send another letter. His poor mother doesn't even get back to back responses that quick. Lucky girl." She mused, smiling at the blush forming on Pip's cheeks.

"It's not like that, we're just old friends."

"Of course. Well, check with his mother and see if they have any mail to send out along with yours." Pip nodded, gave her mother a kiss on the cheek and practically sprinted out the houses before any more questions or observations could be made.

~~

Bill couldn't figure out why he was so anxious after sending that second letter to Pip. She was just his neighbor, a life long family friend, like a sister... Well, not entirely like a sister. Henry always saw her like a sister, taking her under his wing and becoming the big brother she didn't have. His sisters saw her as an older sister, someone to play dress-up with and get boy advise from. But him...he'd never really seen her as that. She was family, absolutely. But not his sister.

When her response came, he wasn't sure if his anxiety got worse or better as he ripped it open.

Billy, I would have loved to have seen that field (although, maybe not during war time). I'm surprised you remember that, I think we were seven or eight when I came up with that idea. I never told you but I always imagined you'd live right next door to me and we'd see each other everyday, like we always did before this war. No matter where I end up, I'd still like you to visit. Pip

"Another letter from your 'family friend'?" Toye jumped down into the foxhole next to Bill.

"Why you sayin' it like that? She is a family friend. And what do you care who I get letters from?" Bill grumbled, folding his letter up and stuffing it inside his jacket.

"Luz said her name was, Pip. What's that about?" Toye asked, completely ignoring Bill's grumpy mood and response.

Bill gives a loud sigh, knowing that Toye isn't going to drop it and by extension neither will Luz until they've discovered everything to do with her.

"It's a nickname. Short for Pipsqueak. She was always this tiny little following me and Henry around back home."

"Sounds annoying." Toye says offhandedly, looking at his companion out the side of his eye. He see's a small smile form on Bill's face.

"At first, I guess. But honestly, it became so normal I never really thought about not including her in things." There's a long stretch of silence as they keep watch, then Bill speaks again. "She's family, but she's not my sister. Never has been. Does that make sense?"

"Yeah, it does." Toye lights up a cigarette, passing one over to Bill. "Should tell her that someday." Bill doesn't respond, just lights up the cigarette and pulls a long drag from it.

~~

The weeks and months that follow are filled with countless letters sent back and forth. There's no declarations of love or detailed accounts of the war, just two people sharing memories or tidbits about their days.

Pip would fill in the blanks about what was going on with his sister's love lives; who was a bum, who seemed nice, who looked weird. Once she gave him the play by play, as she could remember it, of a dinner at his house with the whole family, her, her mother, and a new beau his sister Marie was dating. His name was Paul, but said to call him Paulie. Pip and his two younger sisters, Bianca and Isabella, were on the verge of giggles all night because his voice sounded so much like a parrot and they wanted to ask him if he wanted a cracker. Then there was the shameful cooking lesson their mom's tried to have with Pip, that resulted in five burned pies.

Bill would tell her about the country side they'd go through and different animals he would encounter. He'd also tell her about the guys and stupid shenanigans they'd get up to. How getting shot in the ass started to become an Easy Company right of passage. When he meets Babe, he tells her about another Philly kid that grew up not far from them and how he's alright. He tells her about a game of darts he played with Babe as his partner, against a George Luz and Buck Compton, saying how they lost but he knows if she'd been his partner they would have won because they always make a great team.

They share memories from their childhood, some including Henry some with just the two of them. When she comes across them, Pip sends old pictures of them for him to have. One he becomes especially fond of is them at 16; they're at the local fair, he's holding a huge teddy bear he's just won above his head with one arm, the other is thrown over Pip's shoulder and she's got her arms wrapped around Isabella's shoulders as the younger girl is standing in front of her. They're all smiling, but only Bill and Isabella are looking at the camera. Pip is looking straight at Bill.

He got a lot of ribbing and questions from the guys when that picture came, but he just told them all to 'fuck off'. By this point it was common knowledge that Bill did, but didn't, have a girl back home. The guys loved to annoy him but truly they were happy he had someone, not all of them did.

Slowly, almost naturally, the letter's started becoming more intimate. Not sexually but emotionally. Greetings went from Dear, to Dearest, then Darling, eventually landing on "My Billy/Pip". Signatures would mix some type of variation of "Love, your Billy/Pip" and "Always yours, Billy/Pip". There still hadn't been any type of declaration of feelings, but they'd often write each other about the future and things they wanted to do or see together. They were always together no matter the plan or idea that popped in their heads about life after this war.

Then one day, in a forest in the dead of winter, everything changed.

It had been months since Bill and Toye were shipped back to the hospital for their surgeries and rehabilitation before getting to go home. Months since he'd last responded to one of Pip's letters. He knew, she knew what had happened as he'd written his ma letting her know he was okay after a telegram went out about his injury from the army. He couldn't stand the idea of her being worried sick about him, not after what happened with Henry.

Pip never mentioned the accident, just kept her letters light and full of the day to day happenings. But they always ended the same way, "P.S. Take your time, I'm here when you are ready and I'll always be yours." Each new letter was like a dagger in his heart. He loved her, so much so that he was planning to ask her to marry him when he thought he'd be going home a whole man. But now, how could he ask her to be with him when he wasn't all she deserved?

One day, he grabbed some paper and a pen and started his own version of a Dear John letter.

~~

Pip was both relieved and terrified when she got a letter from Bill. He hadn't responded since being sent to the hospital to have his injury tended to. When his mother had gotten the telegram, all the army had said was that he was injured and being sent out immediately to their primary hospital. After what happened to Henry, she was in a terrible state so Pip pitched in as much as she could while wanting to breakdown herself. Soon enough a letter from Bill himself came and explained the situation as best he could and what was going on, but ultimately letting his mom and sisters know he was already. They'd all cried together when they read that. She waited weeks but no letter arrived for her. As time went on, she accepted that he needed time to heal and figure things out, so she kept sending him updates on his family and things in town, praying that one of them would trigger some type of response. Now she held one in her hands and she didn't know what it would contain.

Sitting in her room, she opened the letter and with each word felt her heart breaking.

My Pip, I am sorry I have not written. Truthfully, I have not known what to say. I know you must have gotten updates from my ma on my condition and I suppose that was the cowards way of letting you know and again, I am sorry. I didn't think this was how I would be telling you this but, I love you. I'm so damn, madly in love with you it's all I can think about lying here. But I can't keep this going any longer. You deserve someone not scarred, literally and emotionally, from this war and the horrors that have leaked inside me. I want you to have everything you've ever dreamed about. I just can't be the one to give it to you. I will love you till my last breathe. Love you always, Billy

With her letter crumpled in her hands, Pip curled up into her bed and cried until there was nothing left to come out.

~~

Bill knew he should feel lucky. Hell, he was the luckiest damn bastard he knew of right now. He was finally home after being away for years, seeing the worst of human nature, eating a home cooked meal surrounded by his mother and sisters that he'd missed terribly. But there was still a large aching hole in his heart the shape of the girl next door. He'd been home for a month and they'd yet to run into each other. He wasn't sure if he could handle seeing her after the letter he'd sent, but that didn't stop him from praying for just one glance.

His sisters had seen her a few times since he'd been home, but every time he asked how she was they just shot him a glare and changed the subject. They obviously knew enough to have picked her side and he couldn't blame them.

"You're awfully quiet tonight, William." His mother's voice brought him back to the present. "Everything okay?" He suddenly felt like a child again under her critical gaze.

"Yeah, I'm good ma." He slapped on a quick smile, which dropped quickly at hearing Bianca and Isabella snort and cough at the end of the table. "What's up with you two?"

"They're tired of you lying. We all are." Marie sent him a cold look.

"I'm not lying about anything." He clenched his jaw to keep his temper in check. These were his sisters, not the boys, he couldn't react like he wanted.

"Yes, you are. Pip is too. You're both miserable. We see it everyday. Just admit you made a mistake and apologize." Marie turned fully to face him and gave him a look that challenged him to deny any of it.

Before he could say anything, his mother cut in. "Girls, go to your rooms. I wanna speak with William. Go on." She gave them her no nonsense look when they didn't move fast enough. With a few grumbles they all left the room and the silence that over took Bill and her was tense.

"Ma, I don't want to talk about it." Bill sighed, leaning back in his chair.

"You don't have to speak, just listen, yeah? You're my child and when you have a child you pray that they find happiness and have all of their dreams come true. It sounds foolish, but that's the truth. Throughout the years, I've always believed that your happiness lie with Pip and when you started writing each other I knew I was right. Every time she would relay some story you wrote her or say "Bill said this, Bill said that" it was like looking in a mirror to when I first fell for your father. Once you've had a great love, you recognize it in other people. Now, looking at both of you all I can see is myself after your father passed. A sorrow that settles in the bones and your soul and never quite goes away. I know you had the best intentions in mind when you did, what you did, but if it's slowly killing you both inside was it really for the best?"

Bill couldn't bring himself to meet her eyes, too afraid he'd completely break down, so he stared at his plate and fiddled with the table clothe. Eventually his mom got up, gave him a kiss on the cheek and left him alone with his thoughts.

~~

Two days later, Pip stood at the back door of the Guarnere house. She'd promised Bianca she'd help her pick a dress for her upcoming dance and after much back and forth, and almost tears, had agreed to come to their house only because Bianca swore Bill would be gone. As she entered the kitchen, she called out to Bianca but didn't receive an answer. She walked further into the house, heading towards the living room still calling out.

"Bianca? Anybody? Hello? I swear if she stood me up, I'm gonna kill her." Just as she finished her though out loud, she stopped dead in her tracks. In the middle of the room stood Bill on his crutches, holding her favorite flowers in one hand. Every time she opened her mouth to say something, she couldn't think of anything and closed it again. Eventually, Bill broke the silence.

"Don't be mad at Bianca, I bribed her to get you over here. I understand if you don't want to hear anything I have to say and walk out, but if you give me a few minutes I swear you'll never have to see me again if that's your wish." Hesitantly, Pip walked into the living room and followed Bill's lead by sitting on the sofa. Slowly she took the flowers from him and laid them in her lap, meeting his eyes.

"I've been practicing what to say all day, but can't seem to remember a damn thing now." He gave a humorless chuckled, clenching and unclenching his hands to steady himself. "What I did, all of it, is unforgivable. I...All I could think about in that hospital was all the things I wouldn't be able to do with you. All the things I might not be able to give you. I believed I was doing what was right, by pushing you away so you could find someone else. But underneath all of that I was scared too. Scared you'd see me now and think less of me. Would always look at me with pity in your eyes and I'd never be that great man you deserve. Now, I'm scared I've lost the only person that matters. Every day since I sent that letter, and especially since being home, it's felt like a wound is festering inside me and I can't fix it. I know I've hurt you, and I'll never forgive myself for that, but if you can just give me a chance to make it right I'll spend forever making it up to you."

Bill would've given her his beating heart if she asked for it. The longer the silence stretched, the more he was sure she would say goodbye. He held his breathe as one of her hands, shakily raised and cupped his cheek. She had tears in her eyes.

"How could I possibly look at you and think less? You've been everything I ever wanted since we were kids. And now everyone knows what I always knew, that you're a hero and a great man. We've had each other backs for forever, I don't think we should stop now. I don't care if we can't do certain things the way we talked about, we will find new ways to do them. All I want, all I've ever wanted, is you by my side. I'll accept your apology under on condition."

"Anything." His answer was immediate.

"Kiss me." The words were barely out when he pulled her closer to him and pressed his lips to her, firmly and with all the passion he had inside him.

Bonus scene: 6 months later

Everyone seemed to be having a good time; drinks were flowing, people were dancing, and in the corner taking a break from mingling, the bride and groom were sipping champagne and sneaking kisses.

"When can we leave?" Bill mutters, nipping her bottom lip quickly.

"I spent all day getting ready, I'm wearing this dress as long as possible." She half joked, taking a sip from her flute.

"I never said you had to take it off." Bill whispers in her ear, smirking at the blush on her cheeks.

"Control yourself and I'll let you take it off, however you want." She shoots him a wink and then grabs her purse, pulling a small box out of it. "Here, I have a gift for you."

Bill raises an eyebrow, taking the box from her. "What is it?"

"Just open it." She smiles at him.

Bill pulls the top off and pulls out a little figurine, laughing instantly. It's a small pig with wings attached. When pigs fly. He looks back and her and cups her cheek.

"I love you, Mrs. Guarnere."

"I love you, Mr. Guarnere."

[waywardcrow]

Timeless.

Chapter VI.

Summary: 1943. 1975. 2024. Three different decades, three different lives, three different times your life and Bucky's interwined; he lost you twice, will he do it again?

Pairing: Bucky Barnes x Female!Reader.

TW: It can change each chapter but themes of Bucky as soldier in WWII and as the Winter Soldier in general, talk about war, a hint of Sam’s love life, some cursing, kissing, lots of feelings, reader having strong "headaches", bad coworkers, some painful flashbacks and 40s mom of reader being not great, a protective Bucky, 40’s!reader is mentioned to be named Beth but that changes for 2024 version of her so I nicknamed her little bird for Bucky, Ace for everybody else, this will be a +18 story so minors dni.

Disclaimer: Please remember english is not my first language so if I make a mistake or forget something let me know.

Pictures from pinterest and graphic and dividers by the amazing @ firefly-graphics so all credits to the creators.

Previous chapter <<<

1944.

You should have never been sent to Europe.

The only reason you were a nurse was because being a doctor was forbidden to you and then the war called at your country’s door. Alex enlisted, to your mother’s pain and you followed him, not allowed to do any less than he did. You couldn’t fight but you could serve as well.

Everything was going fine until a letter came and your mother started to be crueler with you. Alex was her perfect son, the only one she loved, why God took him and left you there with her?

After a life of being pushed aside, of feeling unloved by her and with your dear dad long gone, it wasn’t hard to write to Colonel Philips and ask him to help you but you didn’t expect to land right in Bucky’s unit right after Steve Rogers became Captain America and rescued his unit and your brother’s among several others.

Alex wasn’t happy you were there, he knew how vicious your mother could be and you were his little sister, he insisted on making you go back home with him.

“I can’t Alex, I made my choice” you had honor too, run and hide just because you didn’t need to be there anymore was a coward’s act.

“I can’t protect you, little sister, not like this” he was sent home after his left leg was heavily injured, his country found him not useful to them like that and he saw enough death in his time there to don’t want to leave you behind.

The only reason you were there was him and Colonel Philips’ help, your father fought with him before passing away, Alex could use that to convince him to send you to New York.

Before he could speak, Steve approached you both.

“Sorry, I didn’t mean to hear but I think I have a solution”

That’s how you stayed in Europe and your brother got to live his life.

Present day.

His little bird was avoiding him.

He couldn’t blame you, if he was honest, Bucky needed to be away from you too before he did something reckless like kissing you just as he wanted that night.

Then Sam came with the perfect way to ensure he would stay far from you.

“I’m telling you terminator, something is happening in Madripoor and I think the power broker it’s going to try to fuck with us”

Bucky trusted him; Sam’s instincts were as good as his, still he wanted to tease him.

“Are you sure it’s that? Maybe you’re really eager to leave the country after you messed your date with Harper” he shouldn’t laugh, really but Sam would get back at him eventually, it was only fair.

His friend let out a frustrated groan, reclining the seat of his chair to stare at the ceiling of his office.

“I don’t know why I tell you things, Barnes”

“Because you like me, not enough to have an allergy reaction just to make me smile but-“

“I didn’t know the freaking dessert had almonds, ok?” Captain America, the right, the just, the brave, yelled like a child in a tantrum and Bucky chuckled.

“You should sent her flowers and reschedule your date after we come back”

“Why should I listen to you, Buck? You have the love life of a two hundred years old man, wait” Sam made a dramatic pause “you are a two hundred years old man”

“Hundred and seven” Bucky correct him “and fine, don’t do it, I’m going to pack for Madripoor” with that he started walking to the door and when this closed, Sam yelled at him one last time.

“This time you are the one wearing heels!”

His smile lasted until the elevator, he had a reputation after all and people couldn’t see him smile. Then the doors opened and he saw you in the corner, focused on your planner, not paying attention to anyone around until someone said his name.

Bucky barely acknowledged the agent with a nod and went into the elevator, staying as far from you as he could but it wasn’t enough, he could hear your heart beating like a drum, he could smell you, if he closed his eyes, he could feel your skin.

He needed to control himself but how could he do it? Bucky was addicted to you since the first time he saw you and the only thing between you and him were two agents that when they got out, both sent a poisonous glance on your direction and that made him act without thinking.

The massive body of Sargent Barnes stood in front of you, shielding you from them until the doors closed. That didn’t went unnoticed by you when you reacted like if someone else directed your actions and touched his back to calm him down, making the muscles relax under your fingertips.

“I’m sorry” he was the first one to speak, turning around to face you, holding your hand between his. Three days without you and he was going insane, after decades being apart, having you back for a few days just to be separated from you was more of what his old heart could handle.

Maybe Sam should take someone else to Madripoor.

“What for?” was the only question that left your lips before he punched a button behind him to make the metal box stop and he took you in his arms to kiss you.

Bucky was weak but only when it came to you, he was powerless for you in 1943, in 1975, right now in the fucking elevator of the Avengers tower and he couldn’t give a damn about it.

The first touch of your lips on his got him hooked on you again, the way you hold on his shoulders to stay on your feet while you kissed him back with the same desperation, letting him in when Bucky’s tongue searched for yours, melting in his arms when you intertwined your fingers in his hair.

You missed his long hair.

A wave of pain dragged you away from him; one second Bucky was kissing you like the world would end and the next he was on his knees holding you close, afraid you were going to disappear right in front of him.

“Did I hurt you, little bird? Tell me, tell me how to fix it, I’m sorry, I’m so sorry” the soldier mumbled against your hair while you tried to make sense of his words, gripping the material of his shirt with your fingers, fighting the pain that made you close your eyes.

“It’s my head, I’m fine Jamie, you did nothing wrong” his heart hurt in his chest hearing you call him Jamie again. Only you did that, in the 40s.

“I’m going take you to the medbay, little bird” he stood on his feet taking you in his arms like it was nothing and put the elevator in movement again but you shook your head, looking at him with wide eyes.

“I’m fine, I swear, put me down please”

He refused, something was happening and he would not stand there pretending everything was fine, besides the doors opened again and Yelena and Kate saw you being carried by Bucky. Your face felt so hot you could fry an egg on it for sure.

“Should we ask?” Kate looked very confused but Yelena just shook her head.

“Let them get out Bishop, is better if we don’t know”

Bucky didn’t spare them a look but you, oh, this day was getting more interesting every minute.

First Stephen Strange stopped canceling his meeting with Pepper and when you introduced yourself, he stared at you for a whole minute like you were in a zoo exhibit, then that two dumb agents followed you an entire floor whispering things about you, about your simple clothes and how you probably slept with someone to be there after what you did on the last gala, then Bucky Barnes kissed you.

He kissed you and it was enough to stop the world.

His lips were so gentle with you, coaxing you to let him in, to let him taste you. Bucky kissed you like you were something to be worshipped and only your stupid headache was strong enough to separate you from him.

“What happened?” was the first thing Dr. Banner said when he saw you both coming through the glass doors. He finished his work on Peter’s cut and Bucky placed you with gentleness on one of the beds.

“I’m fine” you started but were interrupted by blood coming out of your nose “oh no, I’m sorry, let me…” before you could move, Bucky was there holding a Kleenex box for you, making you curse in your head.

What was happening?

Dr. Banner narrowed his eyes, taking in your appearance.

“She had a strong headache that made her almost faint minutes ago”

“And it’s not the first time that happens as far as I know” Dr. Banner gave you a polite smile when you looked at him confused “I got your medical file when you started working here and we remember what happened at the gala”

That incident would haunt you forever.

Cleaning your nose again, you made your choice.

“It’s fine, the doctor in ER told me it was probably due to stress and lack of sleep, maybe my body is still catching up” trying to don’t make this bigger than it was, you made an effort to get up but your legs gave away and if not for Bucky and Peter you would have end up on the floor.

“You should stay miss” Peter’s eyebrows were furrowed in concern. He was so sweet.

“Please little bird, you can’t go around feeling bad” Bucky took your hand on his and started to rub circles on your skin, oblivious of the other two avengers’ presence.

It was true but you just started working with Pepper, people talked shit about you already, this would not help.

“Sorry, Ace but you need to stay for a few tests; if everything is in order you can go back to work” Dr. Banner promised. After you gave him a hesitant nod, he fixed his glasses on his nose “FRIDAY, please scan Ace’s vitals”

“On it, Dr. Banner” a red light covered you and then the whole room drowned on darkness “I detect something amiss, we should call Dr. Stephen Strange” were the last words FRIDAY spoke before she went completely silent.

Tag list: @cjand10 @bunnyforhim @cookingdancingchick @moon-light1928

If you want to be added or removed from the tag list feel free to let me know.

Hello! I'm so sorry for leaving this long but a lot happened and the inspiration abandoned me, I didn't know what to do with this story so I just went to the point and made these two kiss haha and know we are back! Tell me what you think!

Love, Lily.

[chronicbeans]

Hazbin Hotel Rewrite - Baxter

I love the little clip we got of our goober gremlin mad scientist, don't get me wrong. I just feel like we are starting to have too many characters who are played for jokes at some point, and I can see this guy falling into that category, when he could very well be used for a different reason.

So many people have been asking questions about where Charlie draws a line for rehabilitation. My version of Baxter draws no lines in his experimentation.

TW: Human Experimentation, Radiation, Radiation Poisoning/Sickness, Drowning, Brief Mentions of War (WWI and WWII, not much detail mentioned), Hazbin Hotel Criticism

For some context, my version of Alastor won't be taken as seriously as the canon version, and Lucifer is a much more purposefully neglectful father. This is also going by if my hypothetical show could have as many seasons as I want.

Baxter did not die in the 1910s in my lore. He died in the 1950s, during the midst of the US conducting a bunch of radiation experiments on humans. Baxter was not included in these experiments at all, however, but commissioned the government numerous times to try to get an idea of his through. Ironically, the reasoning for his experiments being denied was because he wanted to perform them of more rich and upper class individuals rather than random, unknowing people. That, and he doesn't want his subjects to be able to access medical care. Baxter's idea of science, while still rooted in curiosity, doesn't follow a lot of what makes science based on discovery. He wants to see what will happen in very specific scenarios to very specific people, even if it's going to be the exact same as any other scenario or group of people.

Baxter, however, didn't let that stop him. He concocted the greatest plan he could think of to get away with it. His father owned a cruise ship, and he had seen how he operated it when he'd take Baxter out at sea. He'd often lament that he hoped his son wouldn't get caught up in the second World War, and speak about his own times in the Great War. In an ironic twist, Baxter has actually decided to volunteer in World War II soon after his father passed away, becoming a part of the Navy.

He decided to have his own "cruise", inviting many right folks from nearby to come on for suspiciously low prices. On the cruise, he gave people food poisoned with radiation, giving the vacationers radiation poisoning so he could research how far it can go without medical care. That, and how the coddled rich folk in the United States would react to such a sudden and severe "discomfort" with no access to help. Due to handing radioactive materials without proper equipment, though, he also got radiation poisoning. He kept them in line by locking them in their rooms. His main reasoning for using the ship for his experiments is because it completely isolated his victims to one area, prevents them from escaping, and made it harder for him to be caught due to him not being on dry land and constantly moving around the ocean.

He died when a person on board got to the controls and sent out a distress signal. He responded by quickly ushering them back to their room, locking them in, then purposefully sinking the ship to leave them to drown. Baxter, himself, also drowned on the ship. He stayed on the front deck and chained himself to the railing. That was the point, actually. He wanted his "research" to die with him. If nobody in the government approved of it, nobody in the government deserves it.

In Hell, he took the form of a humanoid demon with an anglerfish lure and gills. His skin is dark green, his eyes a red-orange color, and his hair a dark blue with some streaks of orange. The reason why he's an anglerfish with a lure is so it can represent the glow of some radioactive materials. In fact, he can glow in the dark. Like, entirely glow. When he does this, his color palette switches to a neon version. The entirety of his color palette consists of a pink-purple, red-orange, orange, blue, green, and pink. The pink-purple and pink are used as accents on his black captain's uniform, and all colors are used as dust particles when his ability is shown off. All these colors, minus the black, glow when in the dark. The color palette represents the colors each radioactive element glows or is associated with glowing (as an example, radium only glows green when exciting a phosphor, but most people just associate it with glowing green at all times).

Outside of his palette, Baxter suffers from radiation poisoning at all times in Hell. See, in my version of Hell, sickness or poison cannot kill you because God sees it as a way to extend the suffering of sinners. If a poison or illness is bad enough to where it would kill a human, you're stuck with it for eternity or until you die by outside means and are reborn. Baxter, as punishment for his horrific human experimentation, is stuck with radiation sickness forever. This has left him wheelchair bound, as although he can walk for a few feet alright, he's too weak to walk long distances. He also doesn't mind it, and is seen with a constant, content smile on his face, because he now gets to know exactly what radiation poisoning feels like for a fish type demon... because he is one.

His ability revolves around his obsession with radiation. His body is highly radioactive, and small flakes of skin from his scalp can flutter into the air like glowing specks of dust, resulting in the air around him becoming irradiated as well. Due to this, he wears a hazmat suit while outside of his room to prevent himself from poisoning the other guests, staff, and nearby objects. He refuses to wear it outside of his room, though, and so people entering must wear hazmat suits. It's resulted in his room being constantly dark, as there's enough radioactive, glowing specks of dust in the air to light it up and a wide array of hues. Charlie insists that it looks like his room is full of stars, or like one of those old-school roller rings with the carpets that glow under black lights.

Baxter constantly speaks in a soft, quiet voice to everyone. He doesn't show much emotion in his voice outside of an odd, uneasy peace with the situation. Then, while alone in his room or when his radiation sickness causes him great pain, he suddenly springs into a manic high full of laughter and joy. Even then, his voice stays quiet, growing raspy, uneven, and a bit out of breath as he speaks quickly. His mind is full with the joy of being able to know exactly what it feels like, as well as the curiosity of how other types of demons or ghosts will respond to radiation. A way to signify whether or not he's getting angry or hitting another manic high is the fact you can hear the sound of a Geiger Counter fading in, signalling higher and higher amounts of radiation near him.

He'd be introduced around the middle of the second season, being shown as a character Charlie sometimes meets when heading outside the Hazbin Hotel. However, he'd only join the hotel much later on, where his name is finally revealed. Even later, still, is when his complete backstory would be revealed. Before, he only told a half-truth, saying that he was involved in the radiation experiments during the 1950s without mentioning the outside factors that made it much worse than it already sounded.

The character he'd be the "closest" to is Charlie. Even then, it's not because he actually cares about Charlie as a person. He claims that Charlie reminds him of his daughter during life who cut him out when she got older... which, again, is a half-truth. She does remind him of his daughter, but she never cut him out of her life. She was actually one of the test subjects on the cruise and the person who sent out the distress signal. He mainly uses the fact that Charlie reminds him of his daughter to manipulate Charlie into having a close bond with him and to see him as family, while her father is extremely distant to her. That way, he can try to get her to bring Lucifer to the hotel, framing it as advice to help her mend the bond with her father, telling small lies here and there to get Charlie to consider the idea even though she hates her father.

Baxter is a conspiracy theorist of sorts. He's paranoid that someone will take his "research" from him. As such, him telling you about his experiments is a sign of trust from him, as well as him allowing you into his room. He also hides many other things, one of which being that he can speak fluent German, which he learned from his time working in the USA Navy and spying in on German radio signals. That's much more tied to the time period he comes from, however, where people were paranoid about German spies and sometimes saw his ability to speak the language as a sign he was one.

His motivation for staying at the hotel is not to better himself, even if that's what he says. Instead, it's to experiment on guests that he finds intriguing. The point where he decided to move in was when Charlie offhandedly mentioned her father being Lucifer himself. His main goal in the afterlife is to see how Lucifer would react to high amounts of radiation, so it was a no-brainer for him. If his daughter is running this hotel, then eventually, he must show up.

[am-i-the-asshole-official]

WIBTA for ghosting someone in RP?

This is a very chronically online problem, I'm aware, but I could use Tumblr's input. This is kinda long, so tl;Dr at the end.

So I (ftm), Z (nb), and O (f) (ages unimportant, but we're all adults) have a server for a shared fandom of ours. There are other people on the server too, but they're relatively unimportant to the problem.

One of the major channels to note was an rp channel. Things started off peachy keen! Everyone was having a grand old time! However, little problems started to pop up. O began introducing some ocs to the rp group chat, which, while outlandish for the setting (her ocs were ghosts from 1500's Minecraft Germany or whatever? I'm still not entirely clear since she's bad at continuity). And while I'm not against more out there ocs, the issue was how she used them, constantly trying to solve problems instantly. They felt more like MacGuffin's than characters. But whatever, she's our friend so we didn't really care.

Then, the racism incident happened.

It's a cool name, but sorta makes it sound more important than it was. Basically O had "monster form" at the end of each of her characters names, since apparently they had human forms too. Well, in an argument, a character referred to the group of ocs as monsters (since, how else would you refer to all of em at once?), and in one of her ocs replies they said smth like "oh btw thanks for the racist remark".

IMMEDIATELY in the ooc chat, Z and I both go "hey man, we're not playing the racism game", which... caused O to leave the server temporarily. Fun.

The relevance of the racism incident is to show why we can't just talk to her ooc about the upcoming issues.

((Very offhandedly she also keeps trying to pressure Z specifically into rping? Even though Z has made it clear many times this month that they are busy with the holidays??))

Anyways, time passes and O keeps wanting to tack on useless shit to her characters (both canon and ocs) for literally no reason. From "Bruno esk powers" to "shapeshifting genitals", it just felt like feature creep.

Eventually this comes to a head when she asks if her 32 year old character could be a WWII veteran.

You know. In the text chat based rp where characters use hashtags and emotes and talk about Twitter.

After a small back and forth between Z and O in the ooc chat, Z just kinda, gave up. Part of the reason they made the server was to transfer their previous rp writings to a server they own, so they don't have to worry about it getting deleted. (Before anyone assumes Z is just being strict, trust me. Z had been very accommodating with letting me and O make inputs and have our characters make an impact. This wasn't an issue of O's lack of control, but rather lack of care about the setting.)

Z admitted in a group chat with just me and their partner that they basically are just going to give up on their previous rp, and just let O do whatever she wants.

This really, and I mean REALLY, ticked me off.

Now, I will not start a ruckus about it on the server itself since I know Z hates confrontation, but now I've just settled on to give O the cold shoulder in rp, not replying to her ocs, barely interacting with her canon characters, etc.

I feel like in character I have a valid reason to ignore her (her ocs made one of my ocs upset, and my other characters are upset for him), but I can't tell if this would be too mean?

ALSO quick little note I forgot to mention above, but it's basically just the three of us in the rp chat, so with Z busy for the holidays, I'm the only other person who O would be able to rp with, if that impacts the vote.

TL;DR - Someone in a rp server is being a right ass and we cannot talk to her about it without potentially starting a huge fight, now I want to ignore her in rp. WIBTA

What are these acronyms?